Course overview
- Study period
- Semester 2, 2025 (28/07/2025 - 22/11/2025)
- Study level
- Undergraduate
- Location
- St Lucia
- Attendance mode
- In Person
- Units
- 2
- Administrative campus
- St Lucia
- Coordinating unit
- Communication & Arts School
One of the most influential and still current imaginative traditions in English literature, the Gothic specialises in the macabre, the horrifying, the sensational, and the fantastical. Students study key works by (among others) Ann Radcliffe, Edgar Allan Poe, Robert Louis Stevenson and Bram Stoker.
What sort of things go bump in the night? Haven’t we come this way before? Is that a light flickering in the castle’s window? And – who is this who is coming? The gothic is a truly thrilling genre – it stays with us, it gets under our skin – and it's these kinds of questions and their wider implications that preoccupy the writers of the gothic, and that will preoccupy us. We will consider the ways in which the gothic delights in terrifying us, and why we delight in being terrified; we’ll look to the political and social contexts that gave us to the genre, and we’ll consider different psychological truths that the gothic has sought to disclose. Along the way we will encounter all sorts of ghosts, monsters, undead creatures, seekers of occult knowledge – and the horror of the ordinary…
Gothic literature has its birth in the late eighteenth century. Since then it has been reborn, rejuvenated, resurrected, and mutated time and again up to the current cultural moment. This course studies Gothic literature and culture from its origins in the eighteenth-century, through its nineteenth and twentieth-century forms, and to its revival within contemporary culture. It aims to situate a range of Gothic literary tropes—including live burial, hidden manuscripts, doubles, ghosts, hysteria, immoral religious figures, family secrets, ruined buildings and bodies, sexual danger and incest, the undead, underground spaces, imprisonment, and the unspeakable—within the historical and socio-cultural contexts that generated them.ᅠThese frameworks and contexts include industrial/predatoryᅠcapitalism; urbanization/precarity;ᅠ revolution; religion and secularization; modern regimes of gender and sexuality; theories of evolution, the weird, the eerieᅠand the uncanny; new technologies; environmental and planetary perspectivesᅠand global cultural forms. We will consider the gothic as a genre in and of itself, as well as a set of tropes that can be incorporated into or appropriated by a variety of other literary genres. Seeking to cover a broad range of gothic modes, we will explore categories such as the imperial gothic, the female gothic, the comic gothic, ecogothic, and the southern gothic. And we will approach our texts through a variety of thematic and theoretical frameworks, such as the uncanny, ‘hauntology’, monstrosity and the gothic body, repression, and the spectre of the past.
Course requirements
Assumed background
This is a second-level course (2000 coding), which assumes that you have already taken #4 units of introductory courses (1000 coding), preferably including ENGL1800, Literary Classics.ᅠ If you haven't, you may find you're at a disadvantage.
The course does assume:
•ᅠᅠᅠ that you have had previous experience in studying literary texts, at a first-year level or later.ᅠ
•ᅠᅠᅠ that you are able to write inᅠclear and precise English.
•ᅠᅠᅠ that you have skills in close literary analysis, and that you are able formulate cogently argued and well-supported responses to texts in both oral and written form.
•ᅠᅠᅠ that you are familiar with the School's conventions of format, presentation and documentation, as set out in the School of Communication and ArtsᅠStyle Sheet.
This course does not assume you have already taken relevantᅠliterature coursesᅠ(such as ENGL2440, The Novel: Realism, History, Fiction), though doing so will certainly enrich your contextual and background knowledge for this course.
Prerequisites
You'll need to complete the following courses before enrolling in this one:
4 units of BA courses
Recommended prerequisites
We recommend completing the following courses before enrolling in this one:
ENGL1800, ENGL1500
Restrictions
Course offering may be cancelled unless a minimum of 20 students enrol.
Course contact
Course staff
Lecturer
Timetable
The timetable for this course is available on the UQ Public Timetable.
Additional timetable information
Tutorials begin in Week 1. You must attend a weekly lecture (or listen to the recording) and attend a tutorial.
Refer to Blackboard for the full lecture/tutorial schedule, including topics and weekly reading.
Whilst every effort is made to place students in their preferred activity, it is not always possible for a student to be enrolled in their tutorial of choice. If you require assistance, please ensure that you email timetabling.commarts@enquire.uq.edu.au from your UQ student email with:
- Your name
- Your student ID
- The course code
- A list of three tutorial preferences (in order of preference)
- Reason for the change – e.g. timetable clash, elite athlete status, SAP
Teaching staff do not have access to change tutorials or help with timetables; all timetabling changes must be processed through the Timetabling Team.
Aims and outcomes
The course aims to introduce you to key novels,ᅠshort stories and visual media that comprise the Gothic tradition as it shapes Gothic and neo-Gothic culture today.
Assessment
Assessment summary
Category | Assessment task | Weight | Due date |
---|---|---|---|
Essay/ Critique | Close Reading Essay | 20% 800 words |
5/09/2025 4:00 pm |
Essay/ Critique | Research Essay | 50% 1500 words |
31/10/2025 4:00 pm |
Examination |
Examination
|
30% |
End of Semester Exam Period 8/11/2025 - 22/11/2025 |
Assessment details
Close Reading Essay
- Mode
- Written
- Category
- Essay/ Critique
- Weight
- 20% 800 words
- Due date
5/09/2025 4:00 pm
- Learning outcomes
- L01, L03, L04
Task description
Description: An 800-word close reading of ONE of the extracts provided.
Guidelines, marking criteria, and extracts will be provided on our Blackboard site at the start of term.
This task leads directly into the requirements of the final exam on this course. You are therefore encouraged to review and engage with the task and all feedback received, in order to help prepare for the exam.
Generative AI: This task has been designed to be challenging, authentic and complex. Whilst students may use AI and/or MT technologies, successful completion of assessment in this course will require students to critically engage in specific contexts and tasks for which artificial intelligence will provide only limited support and guidance.
A failure to reference generative AI or MT use may constitute student misconduct under the Student Code of Conduct.
To pass this assessment, students will be required to demonstrate detailed comprehension of their written submission independent of AI and MT tools.
Submission guidelines
Submit via TurnItIn through Blackboard
TurnItIn Receipts:
Assignments for this course will be submitted electronically via Blackboard and using TurnItIn. Before submitting any assignments for this course you must ensure you have completed UQ's compulsory online Academic Integrity Tutorial.
When you successfully submit your assessment to TurnItIn you will see text confirming your submission is complete, before being redirected to your Assignment inbox. On this page you can:
- View the name of the submitted file
- View date and time of the upload
- Resubmit your paper (if necessary)
- Download your submitted paper
- Download digital receipt.
If you cannot see your submission in your Assignment inbox you should regard your submission as unsuccessful. Students are responsible for retaining evidence of submission by the due date for all assessment items, in the required form (e.g. screenshot, email, photo, and an unaltered copy of submitted work).
If the submission was not successful:
- Note the error message (preferably take a screenshot).
- Go to your assignment page and see if it is possible to submit again.
- If you cannot submit again email your course coordinator immediately with the assignment attached.
Please visit this webpage for further advice on how to submit your TurnItIn assignment.
Deferral or extension
You may be able to apply for an extension.
Late submission
A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.
Research Essay
- Mode
- Written
- Category
- Essay/ Critique
- Weight
- 50% 1500 words
- Due date
31/10/2025 4:00 pm
- Learning outcomes
- L01, L02, L03, L04
Task description
Description: A research essay of 1,500 words (including quotations but not including bibliography) in response to one of the questions provided.
Questions, guidelines, and marking criteria will be released on blackboard at the start of term.
You may not write on the same text you used for the Close Reading Essay.
Use of Generative AI: This task has been designed to be challenging, authentic and complex. Whilst students may use AI and/or MT technologies, successful completion of assessment in this course will require students to critically engage in specific contexts and tasks for which artificial intelligence will provide only limited support and guidance.
A failure to reference generative AI or MT use may constitute student misconduct under the Student Code of Conduct.
To pass this assessment, students will be required to demonstrate detailed comprehension of their written submission independent of AI and MT tools.
Submission guidelines
Submit via TurnItIn through Blackboard.
TurnItIn Receipts:
Assignments for this course will be submitted electronically via Blackboard and using TurnItIn. Before submitting any assignments for this course you must ensure you have completed UQ's compulsory online Academic Integrity Tutorial.
When you successfully submit your assessment to TurnItIn you will see text confirming your submission is complete, before being redirected to your Assignment inbox. On this page you can:
- View the name of the submitted file
- View date and time of the upload
- Resubmit your paper (if necessary)
- Download your submitted paper
- Download digital receipt.
If you cannot see your submission in your Assignment inbox you should regard your submission as unsuccessful. Students are responsible for retaining evidence of submission by the due date for all assessment items, in the required form (e.g. screenshot, email, photo, and an unaltered copy of submitted work).
If the submission was not successful:
- Note the error message (preferably take a screenshot).
- Go to your assignment page and see if it is possible to submit again.
- If you cannot submit again email your course coordinator immediately with the assignment attached.
Please visit this webpage for further advice on how to submit your TurnItIn assignment.
Deferral or extension
You may be able to apply for an extension.
Late submission
A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.
Examination
- Identity Verified
- In-person
- Mode
- Written
- Category
- Examination
- Weight
- 30%
- Due date
End of Semester Exam Period
8/11/2025 - 22/11/2025
- Learning outcomes
- L01, L02, L03, L04
Task description
Task: The final exam for ENGL2040 will assess your understanding of key Gothic concepts, texts, and techniques through a combination of short answer and close reading tasks.
INSTRUCTIONS
This examination consists of two parts: Part A (Short Answer Questions) and Part B (Close Reading Essays). You must complete both parts of the examination. Read all instructions carefully. Marks will be deducted for failure to follow directions.
Part A: Short Answer Questions (10 marks total):
· Answer all 10 short answer questions
· Each question is worth 1 mark
· Write 1–3 full sentences in response to each question
· Number each answer clearly in the margin or in your response
· Marks will be deducted for incorrect spelling (including character, author, and text titles)
· Do not provide a Works Cited
· You may refer to specific texts, authors, characters, or concepts as required
· Allow up to 30 minutes to complete this section
Part B: Close Reading Essays (20 marks total):
- You will be given four extracts from texts studied in the course
- Each extract is accompanied by a question
- Choose two (2) extracts to respond to
- For each chosen extract, write a short essay of approximately 500–600 words
- Your essay must include:
- A clear introduction, body, and conclusion
- Close textual analysis of the extract provided
- Use of short, relevant quotations integrated into your analysis
- Correct spelling, grammar, and paragraph structure
· Do not use lengthy block quotations
· No secondary sources are required
· Do not provide a Works Cited
· Allow approximately 45 minutes per essay, including planning and proofreading.
Each essay is worth 10 marks.
Use of Generative AI: This assessment task is to be completed in-person. The use of generative Artificial Intelligence (AI) or Machine Translation (MT) tools will not be permitted. Any attempted use of AI or MT may constitute student misconduct under the Student Code of Conduct.
Exam details
Planning time | 10 minutes |
---|---|
Duration | 120 minutes |
Calculator options | No calculators permitted |
Open/closed book | Closed book examination - no written materials permitted |
Exam platform | Paper based |
Invigilation | Invigilated in person |
Submission guidelines
Deferral or extension
You may be able to defer this exam.
Per the UQ Academic Calendar, deferred examinations will be scheduled during the end of semester deferred examination period of 16 to 19 December 2025.
Course grading
Full criteria for each grade is available in the Assessment Procedure.
Grade | Cut off Percent | Description |
---|---|---|
1 (Low Fail) | 0 - 24 |
Absence of evidence of achievement of course learning outcomes. Course grade description: Absence of evidence of achievement of course learning outcomes. |
2 (Fail) | 25 - 44 |
Minimal evidence of achievement of course learning outcomes. Course grade description: Minimal evidence of achievement of course learning outcomes. |
3 (Marginal Fail) | 45 - 49 |
Demonstrated evidence of developing achievement of course learning outcomes Course grade description: Demonstrated evidence of developing achievement of course learning outcomes |
4 (Pass) | 50 - 64 |
Demonstrated evidence of functional achievement of course learning outcomes. Course grade description: Demonstrated evidence of functional achievement of course learning outcomes. |
5 (Credit) | 65 - 74 |
Demonstrated evidence of proficient achievement of course learning outcomes. Course grade description: Demonstrated evidence of proficient achievement of course learning outcomes. |
6 (Distinction) | 75 - 84 |
Demonstrated evidence of advanced achievement of course learning outcomes. Course grade description: Demonstrated evidence of advanced achievement of course learning outcomes. |
7 (High Distinction) | 85 - 100 |
Demonstrated evidence of exceptional achievement of course learning outcomes. Course grade description: Demonstrated evidence of exceptional achievement of course learning outcomes. |
Additional course grading information
- Where fractional marks occur in the calculation of the final grade, a mark of x.5% or greater will be rounded up to (x+1)%. A percentage mark of less than x.5% will be rounded down to x%.
- Where no assessable work is received, a Grade of X will apply.
Supplementary assessment
Supplementary assessment is available for this course.
Additional assessment information
- Further information regarding the assessment, including marking criteria and/or marking rubrics are available in the ‘Assessment’ folder in Blackboard for this course.
- Marks Cannot Be Changed After Being Released: Marks are not open to negotiation with course staff. If you wish to discuss the feedback you have received, you should make an appointment to speak with the Course Coordinator.
- Assessment Re-mark: If you are considering an Assessment Re-mark, please follow the link to important information you should consider before submitting a request.
- Integrity Pledge: Assignments for this course will be submitted electronically via Blackboard and using Turnitin. Before submitting any assignments for this course, you must ensure you have completed UQ's compulsory online Academic Integrity Modules.ᅠIn uploading an assignment via Turnitin you are certifying that it is your original work, that it has not been copied in whole or part from another person or source except where this is properly acknowledged, and that it has not in whole or part been previously submitted for assessment in any other course at this or any other university.
- Withholding marks prior to finalisation of grades: Per UQ Assessment Procedures – Release of Assessment Item Marks and Grades: The final assessment item and the marks for the assessment item are to be released only after the final grade for the course has been released.
Learning resources
You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.
Library resources
Find the required and recommended resources for this course on the UQ Library website.
Additional learning resources information
See the ENGL2040 Library course reading page
Learning activities
The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.
Filter activity type by
Please select
Learning period | Activity type | Topic |
---|---|---|
Week 1 (28 Jul - 03 Aug) |
Lecture |
Week 1 Lecture: What is the Gothic? Ghoulish; grotesque; dark; morbid; monstrous; or, as one critic succinctly put it recently, SPOOKY. These are some of the terms that we encounter (that haunt us?) again and again in definitions of the Gothic. But how useful are they really? In our first lecture on the gothic, we will discuss what it means to be reading ‘gothic’ fiction by looking at the the history of meanings that have attached to the word 'Gothic' and the beginnings of the genre itself. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 1 Tutorial Introduction to the Gothic Learning outcomes: L01, L02, L03 |
|
Week 2 (04 Aug - 10 Aug) |
Lecture |
Week 2 Lecture: Castle of Otranto This week we turn to the work generally regarded as the first Gothic novel, Horace Walpole's, The Castle of Otranto, from 1764. We will look at many of the features of this novel that have found their way into the genre while also considering the historical and cultural contexts that gave rise to its production. As you read the novel, you may want to consider the role of dreams, visions and prophecies in influencing the novel's action, as well as the setting of that action and the import of religious frameworks. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 2 Tutorial The Castle of Otranto / Walpole Learning outcomes: L01, L02, L03, L04 |
|
Week 3 (11 Aug - 17 Aug) |
Not Timetabled |
Week 3: Reading Week (Exhibition Holiday) No Lecture or tutorials this week due to the exhibition holiday |
Week 4 (18 Aug - 24 Aug) |
Lecture |
Week 4 Lecture: A Sicilian Romance This week's lecture introduces the so-called 'female gothic' via Ann Radcliffe's A Sicilian Romance. We will consider the cultural and historical backdrop of this work, notably the French Revolution and its aftermath, before considering the role of women in Radcliffe's fiction and the Gothic more generally. We will also interrogate the concept of the 'sublime' via Edmund Burke and consider the import of Radcliffe's sublime landscapes. Learning outcomes: L01, L02, L03 |
Tutorial |
Week 4: Tutorial Sicilian Romance / Radcliffe Learning outcomes: L01, L02, L03 |
|
Week 5 (25 Aug - 31 Aug) |
Lecture |
Week 5 Lecture: The Monk This week we turn to Matthew Lewis's The Monk, and consider the role of religion, especially Catholicism, in building the Gothic genre. By the time of the Gothic novel, the English were, to some extent, institutionally anti-Catholic. Characters such as the wicked abbess, the unchaste nun, and the lascivious monk represent the naked anti-Catholicism projected by the Gothic Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 5 Tutorial The Monk / Matthew Lewis Learning outcomes: L01, L02, L03, L04 |
|
Week 6 (01 Sep - 07 Sep) |
Not Timetabled |
Week 6: Reading Week (No classes) This is a reading week on the course, to allow you to work on your first assessment item, while taking the time to read Mary Shelley's Frankenstein. |
Week 7 (08 Sep - 14 Sep) |
Lecture |
Week 7 Lecture: Frankenstein When Frankenstein was first published in 1818, it was declared by one reviewer to have ‘an air of reality attached to it, by being connected with the favourite projects and passions of the times’. Taking this as its starting point, this lecture will consider some of the scientific and literary projects of the moment in which Mary Shelley's novel was participating. This is a novel that does, in many ways, spring both from its time - a period of new scientific experimentation and imagination – and from its creator, a young woman who had experienced an extraordinary amount of birth, death and loss in her short life by the time this novel was published when she was 20 years old. Content Warning: Please be advised that this lecture involves discussion of child birth and death, abortion, suicide, dissection, and medical experimentation Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 7 Tutorial Frankenstein / Mary Shelley Learning outcomes: L01, L02, L03, L04 |
|
Week 8 (15 Sep - 21 Sep) |
Lecture |
Week 8 Lecture: Poe Turning this week to the beginnings of the American Gothic, we will read a selection of works by Edgar Allan Poe. We will consider the nature of minds, bodies and the human in Poe, and the ways in which the Gothic troubles and redefines the borders between the living and the dead. A selection of stories will be provided. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 8 Tutorial Selection of short works by Poe Learning outcomes: L01, L02, L03, L04 |
|
Week 9 (22 Sep - 28 Sep) |
Lecture |
Week 9 Lecture: Dr Jekyll and Mr Hyde This week we move later into the nineteenth century with Robert Louis Stevenson's 1886 Gothic novella, Strange Case of Dr Jekyll and Mr Hyde. Here, we will trace some of the turns that the Gothic begins to take, away from the Romantic sublime towards what we might call the Urban Gothic, the cities and the problematic spaces within the city, as well as towards questions of the mind and of psychological distress, delusions, insanity, and the psychodrama of the every day. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 9 Tutorial The Strange Case of Dr Jekyll and Mr Hyde / Stevenson Learning outcomes: L01, L02, L03 |
|
Mid Sem break (29 Sep - 05 Oct) |
No student involvement (Breaks, information) |
Mid-Semester Break |
Week 10 (06 Oct - 12 Oct) |
Lecture |
Week 10 Lecture: Dracula This week we move to Bram Stoker's Dracula, published in 1897, and consider its contribution to the long-lasting appeal of the figure of the vampire. Each iteration of the vampire is very much of its moment – ‘up to date with a vengeance’ as Jonathan Harker puts it in the early pages of our novel - and this lecture will explore the ways in which Bram Stoker's Dracula reflects the contemporary anxieties and fears permeating the atmosphere of late Victorian England. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 10 Tutorial Dracula / Bram Stoker Learning outcomes: L01, L02, L03, L04 |
|
Week 11 (13 Oct - 19 Oct) |
Lecture |
Week 11 Lecture: The Hound of the Baskervilles This week we consider the relationship between the Gothic and the Detective genres via Sir Arthur Conan Doyle and his world-famous detective Sherlock Holmes. Taking up The Hound of the Baskervilles, this lecture will consider the role of the detective story in confronting the bizarre, the grotesque, the unusual, the unnatural, the seemingly impossible, against which the detective (and thus the reader) must employ all their powers of reason and deduction to comprehend and contain. Detective fiction seems in fact to be continually threatened with its generic others: the gothic, tales of psychic phenomena, and spiritualism. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 11 Tutorial The Hound of the Baskervilles / Sir Arthur Conan Doyle Learning outcomes: L01, L02, L03, L04 |
|
Week 12 (20 Oct - 26 Oct) |
Lecture |
Week 12 Lecture: The Hunter In our final novel of the course, we turn to Julia Leigh's The Hunter from 1999 and consider the Gothic tradition in relation to the Australian landscape, and in terms of Australia's colonial past. From there, we will think more particularly about the Tasmanian Gothic in particular, about Julia Leigh the novel itself, which taps into a number of concerns that are particular to Australian history. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 12 Tutorial The Hunter / Leigh Learning outcomes: L01, L02, L03, L04 |
|
Week 13 (27 Oct - 02 Nov) |
Lecture |
Week 13 Lecture: Course Review and Exam Preparation In our final week of the course, the lecture will provide a summary of the Gothic tradition and main concerns we've investigated during the semester. We will also look ahead to the final exam, perform some practice questions, and offer with a range of tips and suggestions for preparing. There are no tutorials this week to enable you to complete your research essays. Learning outcomes: L01, L02, L03, L04 |
Tutorial |
Week 13: No tutorials There are no tutorials this week to enable you to complete your research essays and begin turning your minds to the final exam. |
Policies and procedures
University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:
- Student Code of Conduct Policy
- Student Integrity and Misconduct Policy and Procedure
- Assessment Procedure
- Examinations Procedure
- Reasonable Adjustments for Students Policy and Procedure
Learn more about UQ policies on my.UQ and the Policy and Procedure Library.
Course guidelines
Communication Expectations
While you are a student at UQ, all communication must be conducted according to the UQ Student Code of Conduct. The UQ Library has a helpful Communicate and collaborate online module.
- Email is the primary way for you to send messages to, and receive information from, the School and our staff.
- You must use your UQ email address (not a private address) to communicate with staff.
- You should add a clear subject line, including course code, and a 2-3 word statement.
- You can send email at any time, however, please do not expect responses outside normal working hours (Monday to Friday from ~8am to ~5pm).
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