Course overview
- Study period
- Semester 2, 2024 (22/07/2024 - 18/11/2024)
- Study level
- Undergraduate
- Location
- St Lucia
- Attendance mode
- In Person
- Units
- 2
- Administrative campus
- St Lucia
- Coordinating unit
- Communication & Arts School
This course examines a range of key fictional works and feminist literary theories comprising the field of women's writing, with an emphasis on post-1970 works. The course is organized by key issues for, and genres of, women's writing and feminist literary criticism, and covers the historical emergence and consolidation of contemporary women's writing.
The emergence of the literary field of women's writing and feminist literary criticism from the 1970s have redefined contemporary literary studies, and our understandings of literary representations of gender. So as to provide a solid overview of both, this course explores four key literary topics or genres that recur in women's writing and feminist theorisations of it. For each topic we read two critical essays and two novels. This approach enables you to increase your critical vocabulary and understanding of the field through the critics, while the two novels in each unit--one is relatively recently published, the other has achieved major status--encourageᅠ a comparative and historically inflected analysis of gender and textuality. How much has women's writing changed since the 1970s and 1980s in terms of the major texts and debates that configure the field?
Course requirements
Assumed background
This is a third level course in the English Literature major andᅠextended major, and the English major. Students are therefore expected to be at an advanced level in their studies, though the specific nature of these studies will vary from student to student.ᅠ As a third level course it draws on your previous experiences of reading throughout your major.ᅠ Here, we round off that experience withᅠa focus on a critical field of literature with current significance.ᅠIt'sᅠaimed at students who are in the final semesters ofᅠtheir degree.
As you can see above, the prerequisites for the course are #10 of other English Literature or English subjects.ᅠ Despite our having tried overᅠseveral yearsᅠto get SI-Net to incorporate these prerequisites, it will still let you enrol without them.ᅠ Hence this warning.ᅠ If you're still in the early stages of your degree, don't short-change yourself: do some more literary subjects before taking this one, in order to get the full benefit from it.
Prerequisites
You'll need to complete the following courses before enrolling in this one:
English Major: ENGL1500 and 2 unit Level 2 ENGL course.
English Literature Major and Minor: ENGL1800 and 2 unit Level 2 ENGL course.
Gender Studies Minor: GEND1010 and GEND2001.
Recommended prerequisites
We recommend completing the following courses before enrolling in this one:
Students are strongly encouraged to have completed either ENGL1500 or ENGL1800 prior to enrolling in this course.
Incompatible
You can't enrol in this course if you've already completed the following:
ENGL2500
Course contact
Course staff
Timetable
The timetable for this course is available on the UQ Public Timetable.
Additional timetable information
Whilst every effort is made to place students in their preferred activity, it is not always possible for a student to be enrolled in their tutorial of choice. If you require assistance, please ensure that you email timetabling.commarts@enquire.uq.edu.au from your UQ student email with:
- Your name
- Your student ID
- The course code
- A list of three tutorial preferences (in order of preference)
- Reason for the change – e.g. timetable clash, elite athlete status, SAP
Teaching staff do not have access to change tutorials or help with timetables; all timetabling changes must be processed through the Timetabling Team.
Aims and outcomes
This course intends to provide students with a solid understanding of the key issues and topics that construct the contemporary field of women's writing, as well as introducing them to major writers, critics, and theorists comprising this field.
Learning outcomes
After successfully completing this course you should be able to:
LO1.
Demonstrate a solid understanding of the context for the emergence of contemporary womens writing
LO2.
Display a reasonable knowledge and understanding of some of the major writers, techniques, and theorists comprising womens writing and feminist literary theory
LO3.
Practise advanced textual analysis of both literary and critical works
LO4.
Demonstrate advanced research and writing skills
LO5.
Practise analytical and critical thinking
LO6.
Demonstrate good oral and written communication skills
LO7.
Undertake and complete an extended research project resulting in a substantial critical essay.
Assessment
Assessment summary
Category | Assessment task | Weight | Due date |
---|---|---|---|
Essay/ Critique, Reflection |
Seminar Preparation and Participation
|
10% |
Week 2 - Week 10
Seminar preparation and participation will be marked for each seminar in weeks 2, 3, 5, 6, 8, 9, 10, 11. |
Essay/ Critique |
Research Essay #1
|
35% 1100-1300 words (excl. quotations) |
11/09/2024 4:00 pm |
Essay/ Critique |
Research Essay #2
|
55% 2100-2300 words (excl. quotations) |
25/10/2024 4:00 pm |
Assessment details
Seminar Preparation and Participation
- Identity Verified
- In-person
- Mode
- Written
- Category
- Essay/ Critique, Reflection
- Weight
- 10%
- Due date
Week 2 - Week 10
Seminar preparation and participation will be marked for each seminar in weeks 2, 3, 5, 6, 8, 9, 10, 11.
- Learning outcomes
- L02, L05, L06
Task description
Rationale: This is to reward consistent work before and during the seminar, and to encourage the basic skills of literary scholarship (reading the set texts beforehand, bringing them to the seminar, expressing complex thoughts in written form, and working in the seminar). The task allows staff to gauge your engagement in the course and if you are showing difficulties with course material. In addition, better quality seminars result, and we have an assessment item that is identity invigilated.
For weeks 2, 3, 5, 6, 8, 9, 10, 11 you will be given 1 percentage point for each class you are prepared for, and participate in.
To gain the mark for each week students are required to do all of the following:
- arrive on time and stay for the entire seminar.
- bring copies (preferably print) of the novel and theoretical/critical reading for that week.
- complete a writing task during class that covers the week's required reading. The writing task will be given at the start of the class. Your response should be emailed to your tutor, in the body of the email--not as an attachment. Please state your seminar group in the email subject line e.g. Wed 10:30am group: Writing Task. Your response will be assessed on a pass/fail basis. You will be given 10-15 minutes on the task, and should write between 75-150 words.
If one or more of these elements are not satisfactory, no marks are awarded for that week's seminar. If you pass all 8 seminars, you will be awarded the full 10 marks.
You must gain the weekly mark for 5/8 of the required seminars, otherwise you will receive a mark of zero for this assessment item.
Marking Allocation:
- 0-4 seminars passed: 0 marks.
- 5 seminars passed: 5 marks.
- 6 seminars passed: 6 marks.
- 7 seminars passed: 7 marks.
- 8 seminars passed: 10 marks.
AI/MT use: This assessment task evaluates students' abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI) or Machine Translation (MT). Students are advised that the use of AI or MT technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct.
Submission guidelines
Weekly writing exercises are emailed to your tutor during the seminar. Your response should be in the body of the email, not as an attachment. Please state your seminar group in the email subject line e.g. Wed 10:30am group: Writing Task.
Deferral or extension
You cannot defer or apply for an extension for this assessment.
Please note: students are NOT able to apply for an extension via the Unitask portal for this assessment item. If a student is absent from any of the 8 seminars that are assessed, they must notify their tutor before class, and then they can complete a catch up worksheet to gain the mark. This worksheet should be returned by the following week's seminar. You can only have a maximum of 1 worksheet in lieu of attendance.
Late submission
Late submission is not possible for this piece of assessment.
Research Essay #1
- Mode
- Written
- Category
- Essay/ Critique
- Weight
- 35% 1100-1300 words (excl. quotations)
- Due date
11/09/2024 4:00 pm
- Other conditions
- Student specific.
- Learning outcomes
- L02, L03, L04, L05, L06, L07
Task description
Task: Choose one of the questions (to be provided on Blackboard) to write a clearly argued and researched academic essay of 1100-1300 words in length (excluding quotations). Two novels from the first two units (weeks 1-6) must be analysed in detail, and a comparative reading should be a focus. At least four scholarly secondary sources must be quoted or paraphrased in your answer, and made integral to your argument. A correctly formatted bibliography using MLA 9th edition style should be included. Wikipedia, lecture notes, and websites are not acceptable references.
Rationale: This task allows you to apply your research, writing, and analytical abilities to texts studied on the course thus far, so as to show your understanding of issues raised throughout the first two units, and of the primary texts themselves. It also provides a foundation for your final essay in terms of research essay skills and comparative textual analysis.
AI/MT use: This assessment task evaluates students' abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI) or Machine Translation (MT). Students are advised that the use of AI or MT technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct.
Submission guidelines
Submit via TurnItIn through Course Blackboard site.
TurnItIn Receipts:
Assignments for this course will be submitted electronically via Blackboard and using TurnItIn. Before submitting any assignments for this course you must ensure you have completed UQ's compulsory online Academic Integrity Tutorial.
When you successfully submit your assessment to TurnItIn you will see text confirming your submission is complete, before being redirected to your Assignment inbox. On this page you can:
- View the name of the submitted file
- View date and time of the upload
- Resubmit your paper (if necessary)
- Download your submitted paper
- Download digital receipt.
If you cannot see your submission in your Assignment inbox you should regard your submission as unsuccessful. Students are responsible for retaining evidence of submission by the due date for all assessment items, in the required form (e.g. screenshot, email, photo, and an unaltered copy of submitted work).
If the submission was not successful:
- Note the error message (preferably take a screenshot).
- Go to your assignment page and see if it is possible to submit again.
- If you cannot submit again email your course coordinator immediately with the assignment attached.
Please visit this webpage for further advice on how to submit your TurnItIn assignment.
Deferral or extension
You may be able to apply for an extension.
The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.
Late submission
A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.
Research Essay #2
- Mode
- Written
- Category
- Essay/ Critique
- Weight
- 55% 2100-2300 words (excl. quotations)
- Due date
25/10/2024 4:00 pm
- Other conditions
- Student specific.
- Learning outcomes
- L01, L02, L03, L04, L05, L07
Task description
Task: Choose one of the questions (to be provided on Blackboard) to write a clearly argued and researched academic essay of 2100-2300 words in length (excluding quotations). Two or three novels/memoirs from weeks 8-11 must be analysed in detail, and using a comparative reading position. At least six scholarly secondary sources must be quoted or paraphrased in your answer, and made integral to your argument. A correctly formatted bibliography using MLA 9th edition style should be included. Wikipedia, lecture notes, and websites are not acceptable references.
Rationale: This task allows you to demonstrate your research, writing, and analytical abilities so as to show your understanding of issues raised throughout the course, and of the primary texts themselves. The length of the essay allows you to develop an argument and to produce a substantial research essay appropriate to a third level literature course.
AI/MT use: This assessment task evaluates students' abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI) or Machine Translation (MT). Students are advised that the use of AI or MT technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct.
Submission guidelines
Submit via TurnItIn through Course Blackboard site.
TurnItIn Receipts:
Assignments for this course will be submitted electronically via Blackboard and using TurnItIn. Before submitting any assignments for this course you must ensure you have completed UQ's compulsory online Academic Integrity Tutorial.
When you successfully submit your assessment to TurnItIn you will see text confirming your submission is complete, before being redirected to your Assignment inbox. On this page you can:
- View the name of the submitted file
- View date and time of the upload
- Resubmit your paper (if necessary)
- Download your submitted paper
- Download digital receipt.
If you cannot see your submission in your Assignment inbox you should regard your submission as unsuccessful. Students are responsible for retaining evidence of submission by the due date for all assessment items, in the required form (e.g. screenshot, email, photo, and an unaltered copy of submitted work).
If the submission was not successful:
- Note the error message (preferably take a screenshot).
- Go to your assignment page and see if it is possible to submit again.
- If you cannot submit again email your course coordinator immediately with the assignment attached.
Please visit this webpage for further advice on how to submit your TurnItIn assignment.
Deferral or extension
You may be able to apply for an extension.
The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.
Late submission
A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.
Course grading
Full criteria for each grade is available in the Assessment Procedure.
Grade | Cut off Percent | Description |
---|---|---|
1 (Low Fail) | 1 - 24 |
Absence of evidence of achievement of course learning outcomes. |
2 (Fail) | 25 - 44 |
Minimal evidence of achievement of course learning outcomes. |
3 (Marginal Fail) | 45 - 49 |
Demonstrated evidence of developing achievement of course learning outcomes |
4 (Pass) | 50 - 64 |
Demonstrated evidence of functional achievement of course learning outcomes. |
5 (Credit) | 65 - 74 |
Demonstrated evidence of proficient achievement of course learning outcomes. |
6 (Distinction) | 75 - 84 |
Demonstrated evidence of advanced achievement of course learning outcomes. |
7 (High Distinction) | 85 - 100 |
Demonstrated evidence of exceptional achievement of course learning outcomes. |
Additional course grading information
- Where fractional marks occur in the calculation of the final grade, a mark of x.5% or greater will be rounded up to (x+1)%. A percentage mark of less than x.5% will be rounded down to x%.
- Where no assessable work is received, a Grade of X will apply.
Supplementary assessment
Supplementary assessment is available for this course.
Additional assessment information
- Further information regarding the assessment, including marking criteria and/or marking rubrics are available in the ‘Assessment’ folder in Blackboard for this course.
- Marks Cannot Be Changed After Being Released: Marks are not open to negotiation with course staff. If you wish to discuss the feedback you have received, you should make an appointment to speak with the Course Coordinator.
- Assessment Re-mark: If you are considering an Assessment Re-mark, please follow the link to important information you should consider before submitting a request.
- Integrity Pledge: Assignments for this course will be submitted electronically via Blackboard and using Turnitin. Before submitting any assignments for this course, you must ensure you have completed UQ's compulsory online Academic Integrity Modules.ᅠIn uploading an assignment via Turnitin you are certifying that it is your original work, that it has not been copied in whole or part from another person or source except where this is properly acknowledged, and that it has not in whole or part been previously submitted for assessment in any other course at this or any other university.
- Withholding marks prior to finalisation of grades: Per UQ Assessment Procedures – Release of Assessment Item Marks and Grades: The final assessment item and the marks for the assessment item are to be released only after the final grade for the course has been released.
Learning resources
You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.
Library resources
Find the required and recommended resources for this course on the UQ Library website.
Own copy required
You'll need to have your own copy of the following reading resources. We've indicated below if you need a personal copy of the reading materials or your own item.
Item | Description |
---|---|
Book |
The argonauts
by Nelson; Maggie - 2016 Edition: First Graywolf paperback Publisher: Graywolf Press ISBN: 9781555977351; 9781555977078; 9781925410037; 9781555973407 |
Book |
The woman warrior: memoirs of a girlhood among ghosts
by Kingston; Maxine Hong - 2015 Publisher: Picador Classic ISBN: 9781447275220; 9781743536537; 9781447275237 |
Book |
Terra Nullius: a novel
by Coleman; Claire G. - 2017 Edition: First edition Publisher: Small Beer Press ISBN: 9781618731517; 9781618731524 |
Book |
Working hot: a novel
by Fallon; Kathleen Mary - 1989 Publisher: Sybylla Co-operative Press & Publications ISBN: 9780908205097 |
Book |
We need to talk about Kevin
by Shriver; Lionel; Mosse; Kate - 2006 Publisher: Serpent's Tail ISBN: 9781847651747; 9781846688065 |
Book |
Kindred
by Butler; Octavia E. - 2018 Publisher: Headline Publishing Group ISBN: 9781472258229; 9780807083703 |
Book |
I love Dick: The Cult Feminist Novel
by Kraus; Chris - 2015; ©2015 Publisher: Tuskar Rock ISBN: 9781781256480; 9781782832546; 9781781256473 |
Book |
The women's room
by French; Marilyn - 2009 Publisher: Penguin Books ISBN: 9780143114505 |
Additional learning resources information
As the above list of Required Readings suggests, you will be reading both novels and critical essays for the course. See Learning Activities for a weekly summary of readings. Please bring copies of both the novel and the critical reading to the relevant seminar. Print copies of novels and memoirs are the preferred editions due to pagination issues.
Critical readings are available on the Library's website under Course Learning Resources.
Class Etiquette:
To achieve better learning outcomes and a focussed class environment, mobile phones are to be switched to silent and left in bags and not on the desk. Copies of readings should not be read on mobile phones. Each seminar has a 10-15 minute break when students should leave the class room so that they can drink coffee, walk around, check phones, and get some fresh air etc.
Learning activities
The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.
Filter activity type by
Please select
Learning period | Activity type | Topic |
---|---|---|
Week 1 (22 Jul - 28 Jul) |
Lecture |
Week 1: Module One: Feminism, Women, and Realism: Getting real with women’s lives? Lecture 1: Women's writing and realism Learning outcomes: L01, L02 |
Week 2 (29 Jul - 04 Aug) |
Seminar |
Week 2: Module One: Feminism, Women, and Realism: Getting real with women’s lives? Seminar: Marilyn French,The Women's Room: A Novel Critical reading: Coward, Rosalind, "This Novel Changes Lives": Are Women's Novels Feminist Novels? A Response to Rebecca O'Rourke's Article 'Summer Reading'. Feminist Review, No. 5 (1980), pp. 53-64. Learning outcomes: L01, L03, L05, L06 |
Week 3 (05 Aug - 11 Aug) |
Seminar |
Week 3: Module One: Feminism, Women, and Realism: Getting real with women’s lives? Seminar: Lionel Shriver,We need to Talk about Kevin Critical Reading: Jeremiah, Emily. “We Need to Talk about Gender: Mothering and Masculinity in Lionel Shriver’s We Need to Talk about Kevin.” Textual Mothers/Maternal Texts: Motherhood in Contemporary Women’s Literatures, edited by Elizabeth Podnieks and Andrea O’Reilly, Wilfrid Laurier UP, 2010, pp. 169–184. Learning outcomes: L01, L03, L05, L06 |
Week 4 (12 Aug - 18 Aug) |
Lecture |
Week 4: Module Two: Women and Experimentalism Lecture 2: Women and Experimentalism: Search for an/other language? Learning outcomes: L01, L02 |
Week 5 (19 Aug - 25 Aug) |
Seminar |
Week 5: Module Two: Women and Experimentalism Seminar: Mary Fallon,Working Hot: A Novel (PDF copies available from UQ library course resources) Critical Reading: Friedman, Ellen G. "'Utterly Other Discourse': The Anticanon of Experimental Women Writers from Dorothy Richardson to Christine Brooke-Rose." Modern Fiction Studies, vol. 34, no. 3, 1988: 355-70. Learning outcomes: L01, L03, L05, L06 |
Week 6 (26 Aug - 01 Sep) |
Seminar |
Week 6: Module Two: Women and Experimentalism Seminar: Chris Kraus, I Love Dick Critical Reading: Fournier, Lauren. "From Philosopher's Wife to Feminist Autotheorist: Performing Phallic Mimesis as Parody in Chris Kraus's I Love Dick." English Studies in Canada, vol.45, no.4, 2019: pp.23-52. Learning outcomes: L01, L03, L05, L06 |
Week 7 (02 Sep - 08 Sep) |
Lecture |
Week 7: Module Three: Writing the Self, Writing Difference Lecture 3: Writing Women's Lives |
Seminar |
Week 7: Module Three: Writing the Self, Writing Difference Seminar: Essay Workshop #1 (2 hours) Learning outcomes: L01, L02, L04, L05, L06 |
|
Week 8 (09 Sep - 15 Sep) |
Seminar |
Week 8: Module Three: Writing the Self, Writing Difference Seminar: Maxine Hong Kingston,The Woman Warrior Critical Reading: Neuman, Shirley. “Autobiography: From Different Poetics to a Poetics of Difference.” Essays in Life Writing: From Genre to Critical Practice. Ed. Marlene Kadar. U of Toronto P, 1992. pp.213-30. Learning outcomes: L01, L03, L05, L06 |
Week 9 (16 Sep - 22 Sep) |
Seminar |
Week 9: Module Three: Writing the Self, Writing Difference Seminar: Maggie Nelson, The Argonauts Critical Reading: Wittig, Monique. “The Straight Mind.” Feminist Issues Summer 1980: pp.103-111. Learning outcomes: L01, L03, L05, L06 |
Mid Sem break (23 Sep - 29 Sep) |
No student involvement (Breaks, information) |
Mid-Semester Break |
Week 10 (30 Sep - 06 Oct) |
Lecture |
Week 10: Module Four: Women and Popular Fiction: Playing with Genres? Lecture 4: Feminism, gender, and popular fiction |
Seminar |
Week 10: Module Four: Women and Popular Fiction: Playing with Genres? Seminar: Octavia Butler,Kindred Critical Reading: Christian, Barbara. “’Somebody Forgot to Tell Somebody Something”: African-American Women’s Historical Novels”. New Black Feminist Criticism, 1985-2000, Barbara Christian. Edited by Gloria Bowles, M. Giulia Fabi, and Arlene R. Keizer. Urbana: U of Illinois P, 2007. pp.86-98. Learning outcomes: L01, L02, L03, L05, L06 |
|
Week 11 (07 Oct - 13 Oct) |
Seminar |
Week 11: Module Four: Women and Popular Fiction: Playing with Genres? Seminar: Claire G. Coleman, Terra Nullius. Critical Reading: Laura Singeot, "The Swamp and Desert Tropes in Post-Apocalyptic Australian Indigenous Fiction: The Swan Book (2013) by Alexis Wright and Terra Nullius (2018) by Claire G. Coleman." Commonwealth Essays and Studies, vol. 43, no. 2, 2021. Learning outcomes: L01, L03, L05, L06 |
Week 12 (14 Oct - 20 Oct) |
Seminar |
Week 12: Module Four: Women and Popular Fiction: Playing with Genres? Seminar: Essay Workshop #2 (2 hours) Learning outcomes: L03, L04, L05, L06, L07 |
Week 13 (21 Oct - 27 Oct) |
No student involvement (Breaks, information) |
Week 13: NO LECTURE OR SEMINARS |
Policies and procedures
University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:
- Student Code of Conduct Policy
- Student Integrity and Misconduct Policy and Procedure
- Assessment Procedure
- Examinations Procedure
- Reasonable Adjustments - Students Policy and Procedure
Learn more about UQ policies on my.UQ and the Policy and Procedure Library.