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Course profile

The City in History (HIST3302)

Study period
Sem 1 2025
Location
St Lucia
Attendance mode
In Person

Course overview

Study period
Semester 1, 2025 (24/02/2025 - 21/06/2025)
Study level
Undergraduate
Location
St Lucia
Attendance mode
In Person
Units
2
Administrative campus
St Lucia
Coordinating unit
Historical & Philosophical Inq

From ancient Athens and Rome to Chang'an (Xian) in China, Edo (Tokyo) in Japan and Paris and New York, cities have been the stage for the great dramas of human history. Whether as seats of monarchies and political power, seedbeds of subversion and revolution, or centres of trade and innovation and culture, cities have punctuated human history - they might even be the greatest achievement of humankind. HIST3302 The City in History is a broad-ranging thematic course that seeks to explore the essence of urbanism and the urban experience through time via a wide set of case studies. Major cities from the ancient world to the present day are examined through developments in politics, social life, religion, urban reform and culture. We explore the urban spectacles of power, creativity, conflict and innovation from ancient Europe to Asia, the Americas and contemporary Australia. The course is thus concerned with the interconnections between urban places and human culture throughout recorded history. It suggests that the built fabric of cities is a material embodiment of historical developments in human society, economics, politics and culture. Particular cities and moments in time can be viewed as focal points to exemplify major patterns in human history.

From Babylon to New York, from Neolithic times to the twenty-first century, cities have been the stage for the great dramas of human history. Whether as seats of monarchies and political power, seedbeds of revolution and criminality, centres of trade and innovation, or the setting for religious schisms, cultural flowerings and intellectual ferments, “The City” has punctuated human history. Perhaps our cities are humankind’s greatest achievement.  

HIST3302 The City in History is a broad-ranging thematic course that seeks to explore the essence of urbanism and the urban experience through time via a wide set of case studies. In the comparative mode of Lewis Mumford and Peter Hall, we survey key themes and topics in urban history and relate important developments in human culture, politics and society to specific urban settings. Major cities from the ancient world to the present day are examined as settings for developments in politics, social life, religion, criminality, urban reform and the creative arts. We explore the spectacles of power, creativity, conflict and innovation from the ancient world to medieval and modern Europe, Asia in the age of imperialism, and contemporary Australia.   

The course is thus concerned with the interconnections between urban places and human culture throughout recorded history. It suggests that the built fabric of urban life can be understood as the material embodiment of historical developments in human society, economics, politics and culture. Particular cities and moments in time can be viewed as focal points to exemplify major patterns in human history. More broadly, the symbolic and iconic qualities of urban imagery (as in ‘the holy city’, the ‘royal citadel’, the ‘modern Babylon’, etc.) appear as recurring motifs in the history of human culture.

Lectures examine focal historical cities. Each will be explored as a setting and context for key themes pertinent to a given historical era: e.g. the polis in the classical world; the Roman ideal in late antiquity; Rome’s successor cities (Constantinople and Moscow) as sacred centres; the civic dynamism of medieval cities and towns; power and authority in the early modern and Baroque city;  contrasts of wealth and poverty in the Victorian metropolis; imperial cities in the nineteenth and twentieth centuries; modernity and urbanism in America; and the brash boom cities of colonial and contemporary Australia. The course concludes with an exploration of Brisbane’s urban history in light of the broad themes of the course. 

Assessment (see below) is by class participation, a short tutorial paper, a thematic essay, and a longer research essay.

Course requirements

Incompatible

You can't enrol in this course if you've already completed the following:

HIST2702

Course contact

Course coordinator

Associate Professor Geoff Ginn

Consultation time: Tuesdays, 9-11 am, Rm E327 Forgan Smith Building. No appointment required, but please email me (g.ginn@uq.edu.au) if another time is needed.

Course staff

Lecturer

Timetable

The timetable for this course is available on the UQ Public Timetable.

Additional timetable information

All classes and coursework activity for HIST3302 are conducted in person according to the UQ timetable. A recording of the lecture content will be made available to students via Blackboard after the scheduled lecture each week.

Aims and outcomes

The course seeks to develop students’ research expertise, analytical skills, and abilities in verbal and written communication. The tutorial program uses common weekly readings and class discussion to encourage discourse, and seeks to engender respect for other perspectives and interpretations voiced within the class. A range of issues pertinent to the theory and practice of urban history will be raised during the lecture program, and will be actively explored by students in the tutorial readings and discussions.

Learning outcomes

After successfully completing this course you should be able to:

LO1.

comprehend basic issues in the field of comparative urban history at the introductory and semi-advanced levels.

LO2.

collect, analyse and organise historical information and ideas, to develop a critical perspective on key themes and topics in the course, and to convey those ideas and perspectives clearly and fluently in written and spoken forms.

LO3.

draw broad contrasts and comparisons between urban settings using a set of key international examples.

LO4.

research and analyse historical documents and sources relating to comparative urban history, using a range of library and digitally-based research methods.

Assessment

Assessment summary

Category Assessment task Weight Due date
Paper/ Report/ Annotation, Participation/ Student contribution, Presentation Tutorial Participation
  • Identity Verified
  • In-person
20%

10/03/2025 - 19/05/2025

Essay/ Critique Essay
  • Identity Verified
30% 1500 words

9/04/2025 2:00 pm

Essay/ Critique, Project Research Project
  • Identity Verified
50% 2000 words

Project Proposal due. 7/05/2025 2:00 pm

Research Project due. 9/06/2025 2:00 pm

Please note advice on your Project Proposal (due 7 May), which occurs before the submission of your completed Research Project (9 June).

Assessment details

Tutorial Participation

  • Identity Verified
  • In-person
Mode
Activity/ Performance, Written
Category
Paper/ Report/ Annotation, Participation/ Student contribution, Presentation
Weight
20%
Due date

10/03/2025 - 19/05/2025

Learning outcomes
L01, L02

Task description

Each student is expected to attend lectures, read the weekly tutorial readings and other source material, prepare to contribute to the set class activity and discussions for each tutorial, and contribute a 'Short Paper' (critical review) to their tutorial on their chosen week.

10% of your participation mark will be awarded based on your contribution to the tutorial discussions each week, and 10% on your 'Short Paper' (see below). The tutorials thus have an emphasis on active preparation and participation, with discussion structured around peer-to-peer conversations and activities (rather than having a single presenter for each week). Please note: you are expected to contribute to the class discussion each week.

In essential terms, each week thus has a set topic, supplied readings, focus questions and a defined activity. Each week, all students are required to explore the topic and its historical aspects beyond the supplied materials, and explain their findings to another member of the class. Further information on the tutorial program and expectations will be provided at the first lecture. 

Once you have chosen your preferred tutorial topic, prepare a two page (c. 500 words) ‘Short Paper’ or critical review outlining 3-5 key points in response to the topic question and citing evidence from the readings in support. This handout is to be circulated to the class in hard copy on the day of the tutorial discussion (to be used as a basis for the discussion), and should be submitted via Turnitin by 2 pm on the day following your presentation. The usual penalties for late submission will apply for this item of assessment. 

The 'Short Paper' is worth 10%, and should present a clear and well-structured response to the selected question, emphasising the insights gained by your reading for the topic. Streamlined or informal referencing is permissible for this assessment item.


Submission guidelines

See 'Task Description' for advice on tutorial participation and the submission of your Short Paper.

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

If you are unable to attend tutorials or participate at any point in the semester, or if you are facing challenges completing your Short Paper, please contact the course co-ordinator to discuss your situation.

Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

Essay

  • Identity Verified
Mode
Written
Category
Essay/ Critique
Weight
30% 1500 words
Due date

9/04/2025 2:00 pm

Learning outcomes
L01, L02, L03, L04

Task description

Your 1500-word Thematic Essay is due on Wednesday 9 April, at 2 pm via Turnitin.

With reference to one of the following themes, discuss the history of a major city (of your choice) during a specific historical era. Your essay title should state both the city of your choice and the specific theme to be explored (e.g. ‘Politics and the People in Renaissance Florence’). Select one of the following:

The Public Sphere                The Private Realm                  Politics and the People           

Social Segregation               Order and Disorder                Public Ceremony

Literary Visions                     City Planning                           Militarism and War

Wealth and Poverty              Culture and Leisure                Working Lives 

Gender and Sexuality           Health and Disease                Patterns of Consumption

In essential terms, your essay needs to develop an argument or interpretation to explain significant features, aspects or developments pertinent to your chosen city, era and theme. Support your views with evidence and examples, using at least three primary sources and with a close attention to the work of one major historian. 

Your essay could be structured as a ‘slice’ history of your specific theme and era; as a study of a key figure, social group, organisation or event; as a survey of relevant primary documents; as a discussion of various historical interpretations; or in some other way.

Your essay needs to develop an argument or interpretation to explain significant features, aspects or developments pertinent to your chosen city, era and theme. Support your views with evidence and examples, using at least three primary sources. Formal referencing (Chicago 17A, footnotes and bibliography) is required for this essay which should be no more than 1500 words (plus or minus 5%, not counting quotations, notes and bibliography). It should have an adequate bibliography (10-15 items) and be an original work written specifically for this course.

This assessment task evaluates student’s abilities, skills and knowledge without the aid of Artificial Intelligence (AI). Students are advised that the use of AI technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct.

Submission guidelines

Essays are to be submitted via the Turnitin link on the course Blackboard site.

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

If you are unable to attend tutorials or participate at any point in the semester, or if you are facing challenges completing your Short Paper, please contact the course co-ordinator to discuss your situation.

Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

Please note that according to School policy a deduction of 10% per day will be made for essays that are submitted late.

Research Project

  • Identity Verified
Mode
Product/ Artefact/ Multimedia, Written
Category
Essay/ Critique, Project
Weight
50% 2000 words
Due date

Project Proposal due. 7/05/2025 2:00 pm

Research Project due. 9/06/2025 2:00 pm

Please note advice on your Project Proposal (due 7 May), which occurs before the submission of your completed Research Project (9 June).

Other conditions
Work integrated learning.

See the conditions definitions

Learning outcomes
L01, L02, L03, L04

Task description

Research Project (50%)

For your Research Project due on Monday 9 June, you can undertake either a formal Research Essay or some other format. Advice and expectations for each of these are provided below. 

Research Essay

If you choose the Research Essay format, you should adopt one of the tutorial questions as the basis for a longer discussion in essay form (2000 words). Alternatively, you may wish to develop an entirely original topic. In either case, you are required to discuss your topic and the relevant research materials and strategy with the course co-ordinator before commencing major work on this assessment item. 

As a general rule, your topic should explore aspects of a particular city in its historical context, and develop an argument to explain certain observable features or patterns. These cities should differ from the city discussed in the essay that you submitted earlier in the semester.

One approach would be to examine the importance of a particular historical factor (such as mass immigration, religious affiliation or persecution, commercial and manufacturing activity, ideology or political activism) in shaping the evolution of a key international city through time. Another would be to examine the significance of a key event or historical development in the history of a specific city (i.e. the fall of Constantinople, the re-development of Paris during the Second Empire, Delhi during the 1857 revolt, Singapore in the era of globalisation). 

Another option is to take a historiographical approach, comparing the work of various historians on a major city or important urban theme. Yet another approach could be to examine the historical accounts left by explorers, independent travellers (including nineteenth century women travellers), diplomats, soldiers, merchants and businesspeople, tourists and those on religious pilgrimages. Such accounts can be critically assessed in various ways as historical evidence to illuminate a theme or topic. 

It is very important that you state a clear topic (that implies a question to be answered, or analysis to be developed) in the title of your essay. Please follow the Chicago 17A style, with footnotes and bibliography. Do not use in-text citation.                  

Alternative Formats 

A Work-Integrated Learning (WIL) approach you to choose an alternative format for your research work in this course. You should discuss your topic and the relevant research materials with your tutor before commencing reading and research, and before commencing your Project Proposal (see below).

Suitable formats for your research project include: a scholarly travel guide to a city; a website presenting sources and interpretation of a particular city or urban theme; a You Tube video documentary on the history of a city; a podcast exploring an aspect of urban history; a digital resource about a city such as an ARC GIS StoryMap; an online diary of travel to a city which includes scholarly insights; a proposal for an exhibition on the history of a city; an illustrated travel article for a newspaper or magazine; a family history about living in a particular city. 

Please bear in mind that a Research Project (whatever format is used) should be based on original historical research, appropriate primary and secondary sources, and your own analysis and interpretation written in clear and analytical prose.

Whatever form the project takes, a version of it that documents your use of sources should be uploaded via Turnitin as well. That version should include text, footnotes (Chicago 17A), and a bibliography. Where appropriate, illustrations and/or sound files can be included. All projects must be submitted via Turnitin by the deadline. In the case of a digital resource, the text should be submitted to Turnitin and a link to the resource provided.

 

Research Projects are to be completed in two stages: 

Stage 1: You should complete a Project Proposal (structural outline) of no more than TWO PAGES, setting out your introduction, rationale and justification, your key ideas and themes, the main sources you plan to use, your selected format (if not an essay) and tentative structure. Obviously, these may change before the essay is completed, but it is important for you to provide an initial statement of your ideas, direction and proposed structure for the essay. 

IMPORTANT: do not use dot points in your proposal. Instead, present your summary in short and well-focussed paragraphs. 

Your Project Proposal is to be submitted through Turnitin in Week 10 (7 May, due at 2 pm). This will be marked out of 10 and returned with written comments by the end of Week 11.

Stage 2: The final version of your Research Project is due on 9 June (2 pm), and should be submitted through Turnitin on the Course Blackboard site.

You will be given a mark out of 40 for the completed essay. Together with the mark for your Essay Proposal this will represent 50% of your semester result.


This assessment task evaluates students' abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI). Students are advised that the use of AI technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct.

Submission guidelines

Project Proposals and the final Research project are to be submitted via the Turnitin link on the course Blackboard site.

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

Course grading

Full criteria for each grade is available in the Assessment Procedure.

Grade Cut off Percent Description
1 (Low Fail) 0% - 24%

Absence of evidence of achievement of course learning outcomes.

Course grade description: Grade 1, Fails to demonstrate most or all of the basic requirements of the course: Grade 1, Low Fail (0-24%), is generally awarded in cases where some assessment has been submitted, but it is of wholly unsatisfactory standard or quantity. In work submitted, however, there is no demonstrated evidence of understanding of the concepts of the field of study or basic requirements of the course.

2 (Fail) 25% - 44%

Minimal evidence of achievement of course learning outcomes.

Course grade description: Grade 2, Fail: Demonstrates clear deficiencies in understanding and applying fundamental concepts; communicates information or ideas in ways that are frequently incomplete or confusing and give little attention to the conventions of the discipline: Grade 2, Fail (25-44%), is generally awarded to work that exhibits deficiencies in understanding and applying the fundamental concepts of the course and field of study, and as such, does not satisfy the basic requirements of the course. Often, one or more major items of assessment will not have been completed.

3 (Marginal Fail) 45% - 49%

Demonstrated evidence of developing achievement of course learning outcomes

Course grade description: Grade 3, Demonstrates superficial or partial or faulty understanding of the fundamental concepts of the field of study and limited ability to apply these concepts; presents undeveloped or inappropriate or unsupported arguments; communicates information or ideas with lack of clarity and inconsistent adherence to the conventions of the discipline: Grade 3, Marginal Fail (45-49%), is generally awarded if a student has submitted work that attempts to meet the knowledge and skill requirements of the course, but is only able to demonstrate a superficial understanding of the fundamental concepts of the course. Students will usually have attempted all major pieces of assessment and show that they have an identifiable, emerging ability to apply basic knowledge and skills.

4 (Pass) 50% - 64%

Demonstrated evidence of functional achievement of course learning outcomes.

Course grade description: Grade 4, Pass: Demonstrates adequate understanding and application of the fundamental concepts of the field of study; develops routine arguments or decisions and provides acceptable justification; communicates information and ideas adequately in terms of the conventions of the discipline: Grade 4, Pass (50-64%), is generally awarded where all major items of assessment have been submitted. An adequate knowledge of the fundamental concepts of the course and field of study should be demonstrated and a functional skill level achieved.

5 (Credit) 65% - 74%

Demonstrated evidence of proficient achievement of course learning outcomes.

Course grade description: Grade 5, Credit: Demonstrates substantial understanding of fundamental concepts of the field of study and ability to apply these concepts in a variety of contexts; develops or adapts convincing arguments and provides coherent justification; communicates information and ideas clearly and fluently in terms of the conventions of the discipline: Grade 5, Credit (65-74%), is generally awarded where all items of assessment have been completed and a substantial understanding of the fundamental concepts of the course and field of study have been demonstrated.

6 (Distinction) 75% - 84%

Demonstrated evidence of advanced achievement of course learning outcomes.

Course grade description: Grade 6, As for 5, with frequent evidence of originality in defining and analysing issues or problems and in creating solutions; uses a level, style and means of communication appropriate to the discipline and the audience: Grade 6, Distinction (75-84%), is generally awarded where all items of assessment have been completed and substantial knowledge of the deeper and more complex aspects of the course and field of study have been demonstrated.

7 (High Distinction) 85% - 100%

Demonstrated evidence of exceptional achievement of course learning outcomes.

Course grade description: <p>Grade 7, High Distinction: As for 6, with consistent evidence of substantial originality and insight in identifying, generating and communicating competing arguments, perspectives or problem solving approaches; critically evaluates problems, their solutions and implications: Grade 7, High Distinction (85-100%), is generally awarded where all items of assessment have been completed and there is evidence that the deeper and more complex aspects of the course and field of study have been mastered.

Additional course grading information

Marking criteria and/or marking rubrics are available in the ‘Assessment’ folder in Blackboard for this course.

Supplementary assessment

Supplementary assessment is available for this course.

Additional assessment information

Failure to submit all major assessment items (those worth 15% and above) will result in a maximum grade of 2 (Fail).

Feedback against the assessment criteria in the form of comments on your script will be provided through Turnitin or on your script directly.

By submitting work through Turnitin you are deemed to have accepted the following declaration: ‘I certify that this assignment is my own work and has not been submitted, either previously or concurrently, in whole or in part, to this University or any other educational institution, for marking or assessment’.

You must ensure you receive a Turnitin receipt on every submission of assessment items. YOU MUST CHECK THAT THE RECEIPT CONFIRMS THAT SUBMISSION HAS BEEN SUCCESSFUL.

A valid Turnitin receipt will be the only evidence accepted if assessments are missing. Without evidence, the assessment will receive the standard late penalty, or after 7 calendar days, will receive zero. In the case of a Blackboard outage, please contact the Course Coordinator as soon as possible so that they can confirm the outage with ITS.

It is your responsibility to ensure that you are submitting assessment items on a device that is capable of the task, and that appropriate internet bandwidth and speed is available. If you cannot be sure that your device or internet will enable you to complete or submit an assessment task, you must come onto campus and use one of the terminals in the Library or Computer Labs.

Plagiarism, along with asking or paying someone else to do your work, is cheating and constitutes academic misconduct.

For information on assessment remarks see: https://my.uq.edu.au/information-and-services/manage-my-program/exams-and-assessment/querying-result

The written assessment tasks in this course evaluate your abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI). You are advised that the use of AII technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct.

Learning resources

You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.

Library resources

Find the required and recommended resources for this course on the UQ Library website.

Learning activities

The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.

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Learning period Activity type Topic
Week 1

(24 Feb - 02 Mar)

Lecture

Week 1: COURSE INTRODUCTION

This lecture introduces the basic approach of the course, its key concepts and learning activities, and explains the assessment tasks. We also consider the problem of definition: what actually is a "a city"? Please note there are no tutorials in our course this week.

Learning outcomes: L01, L03

Week 2

(03 Mar - 09 Mar)

Lecture

Week 2 EARLY CITIES: ORIGINS & FUNCTIONS

This lecture outlines the origins of cities in the ancient world, and explores some of their enduring features and functions.

Learning outcomes: L01, L03

Tutorial

Week 2: Perspectives on the City

Question: According to Mumford, "the city is the form and symbol of an integrated social relationship." What do you think is meant by this?

Activity: Identify one feature of a specific historical city, that for you encapsulates an essential aspect of cities in time and space. Can you relate this feature to a city of your own experience? Be ready to explain your choice and experience to another member of the class. 

Required Readings

Roger W. Caves, ed., Encyclopedia of the City (London: Routledge, 2005), "Introduction," pp. xxi-xxx. 

This is a basic introductory chapter on the city that alerts you to some of the issues, themes and ideas that historians have examined in recent decades. 

Mumford, Lewis, ‘Introduction’ to his The Culture of Cities London: Secker & Warburg, 1938, pp. 3-12 [Document Study].

Lewis Mumford's 'Introduction' to his highly opinionated and polemical work 'The Culture of Cities' (1938) captures many themes in C20th urban criticism. His later text 'The City in History' (1961) is a classic of the genre.


Learning outcomes: L01, L02, L03, L04

Week 3

(10 Mar - 16 Mar)

Lecture

WEEK 3: CITIES OF THE ANCIENT WORLD

With attention to key examples, the lecture this week considers the emergence of 'city-states' and urban-centred kingdoms around the world. It also focusses on the classical form and functions of iconic cities in the Mediterranean such as Athens and Rome.

Learning outcomes: L01, L03

Tutorial

Week 3: Rome and the Roman Imprint

Question: What defining characteristics were shared by ancient cities, and specifically featured in Roman urbanism? 

Activity: Prepare a plan, image or description of a new city on the lines recommended by Vitruvius (see Course Reader). What do his preoccupations tell you about classical ideas about city form? Be ready to explain your insights to another member of the class.

Required Readings: 

Robin Osborne and Andrew Wallace-Hadrill, 'Cities of the Ancient Mediterranean' in The Oxford Handbook of Cities in World History (Oxford: Oxford University Press, 2013), pp. 49-65. 

This is an authoritative overview of the emergence of cities and their forms in the Greek and Roman civilizations, emphasising a range of factors, networks and functions that shaped their development. What are the key relationships that can be seen as important in shaping these cities? What are the main tensions between dependence and independence that they exhibit?

Vitruvius, The Ten Books on Architecture, Book 1, Chapters iv-vii (Morris Hicky Morgan trans.) New York: Dover Publications, 1960, pp. 17-32 [Document Study].

In preparing for the tutorial this week, you should consider Vitruvius's recommendations for the design of an ancient city (chapters 4-7 of Book 1 in his Ten Books on Architecture). What does his advice tell us about classical ideas of city form?


Learning outcomes: L01, L02, L03, L04

Week 4

(17 Mar - 23 Mar)

Lecture

Week 4: URBAN LIFE IN THE EARLY MIDDLE AGES

The Week 4 lecture examines the collapse of the urban framework of Roman Europe (the so-called Dark Ages)’, the contrast with developments further eastwards in Constantinople and the Islamic world, and the circumstances of the European 'urban revival'.

Learning outcomes: L01, L03

Tutorial

Week 4: Constantinople, Venice and the Urban Revival

Question: Henri Pirenne famously argued that European cities revived along with Mediterranean and northern European commerce. Is this explanation comprehensive? and if so, what were the implications of this for medieval city life?

Activity: In preparing for the tutorial this week, you should read the Pirenne chapter with a map of the Mediterranean Sea close at hand. What zones can we identify in that map? What were the main networks and connections? We will have a map handy in the tutorial, so some of these features can be discussed in class.

Required Readings:

Girouard, Mark, ‘The Revival of the West’ in his Cities & People: A Social and Architectural History (New Haven: Yale University Press, 1985), pp. 3-14.

Pirenne, Henri, ‘The Revival of Commerce’ in his Medieval Cities: Their origins and the revival of trade New York: Doubleday Books, 1956 [orig. 1925], pp. 55-74.

Both readings this week deal with the new urban vibrancy in the Mediterranean Sea around the year 1000. In the tutorial we will discuss Pirenne’s proposition that trade connections were the key to city growth at this time. Is this explanation comprehensive? What does it leave out? What were the 'internal' implications of this for medieval city life?


Learning outcomes: L01, L02, L03, L04

Week 5

(24 Mar - 30 Mar)

Lecture

Week 5: CITIES AND ISLAM

This lecture considers the rise of Islam, and the tremendous vitality of early islamic cities

Learning outcomes: L01, L03

Tutorial

Week 5: Mosque and Marketplace: Islamic Cities in a ‘Golden Age’

Question: why did Islamic cities experience such extraordinary growth during the medieval period? 

Activity: use Google Earth to consider the form and spatial arrangement of one of the key Islamic cities discussed this week (as it appears today). Do the visible elements suggest a distinctive urban identity? Be prepared to explain your views to another member of the class.

Required Readings: 

Valérian, Dominique, ‘Middle East: 7th – 15th Centuries’ in The Oxford Handbook of Cities in World History (Oxford: Oxford University Press, 2013), pp. 258-74.

This week you should start by reading Valerian's brief but very informative overview of the dramatic emergence of Islamic cities in the medieval 'Middle East'. Scholars used to favour an 'essentialist' view of these cities, but now tend to explore variation and diversity within a general pattern. 

Maalouf, Amin, ‘The Cannibals of Ma‘arra’ in his The Crusades through Arab Eyes (Jon Rothschild trans.) (New York: Saqi, 2012), pp. 70-99 [Document Study].

This second reading is a visceral account of the Crusades from a Muslim perspective. The familiar events of the Crusades take on a very different aspect when we consider the evidence of non-Christian sources. In this account, part of a larger chronicle that details the events of 1099 in graphic detail, we gain insights into the urban culture of the Arab Islamic world as well as the violence and cruelty of the crusading era.


Learning outcomes: L01, L02, L03, L04

Week 6

(31 Mar - 06 Apr)

Lecture

Week 6: PRE-MODERN ASIAN CITIES

This lecture surveys a range of pre-modern urban centres in Asia and South Asia. These were 'pre-industrial' cities, but in many ways demonstrate highly industrious and sophisticated commercial societies of Japan, China, and India.

Learning outcomes: L01, L03

Tutorial

Week 6: Between Heaven and Earth: Cities in Imperial China

Question: What were the dominant trends in city development in China through this period, and how did Chinese cities change? Identify the key historical factors that influenced this process. In relation to the Marco Polo reading, what distinctive features are presented here of the great city of the Khan (during the Yuan dynasty)? What conclusions would European readers draw from this depiction?

Activity: conduct some initial research to identify another traveller to China before the twentieth century. What were the circumstances of this travel, and what is the historical value of their account? Be prepared to explain your evaluation of this source material to another member of the class.

Required reading:

Rowe, William T, ‘China: 1300-1900’ in The Oxford Handbook of Cities in World History (Oxford: Oxford University Press, 2013), pp. 310-27.

For the Week 6 Tutorial, we focus on the characteristic features of Chinese cities in the Ming and Qing dynasties. Using the Rowe reading (‘China: 1300-1900’) as a guide, we will think about the competing demands being made on public space in these great urban centres. 

[from] Polo, Marco, The Travels of Marco Polo (Manuel Komroff, ed.), (New York: the Modern Library, 1926), Book II, chapters 11-13, pp. 130-6.

In the tutorial we will also be considering the venerable classic of travel literature, ‘The Travels of Marco Polo.’ The extract is from Book II, chapters 11-13. 


Learning outcomes: L01, L02, L03, L04

Week 7

(07 Apr - 13 Apr)

Lecture

Week 7: THE LATE MEDIEVAL CITY IN EUROPE

This lecture considers how, with the revival of long-distance trade, a whole new way of life sprang up within the walls of the medieval cities of Europe.

Learning outcomes: L01, L03

Tutorial

Week 7: Flowers and Florins: Medieval Florence

Question: What social and conceptual challenges did medieval cities pose to the traditional practices of landed society? How was social order established in a city like Florence, and what do we learn from its collapse (see Boccaccio)?

Activity: Identify a passage or quotation in Boccaccio’s text that, for you, provides the most compelling or unexpected insight into the urban life of Florence in the plague year of 1348. Be prepared to explain your selection to another member of the class.    

Required Readings: 

Martines, Lauro, ‘The Course of Urban Values’ in his Power & Imagination: City-States in Renaissance Italy (Baltimore: Johns Hopkins University Press, 1988), pp. 72-93.

For the Week 7 Tutorial, we will consider the dynamism and character of the late-medieval Italian cities (such as, most famously, Florence) that after 1400 gave rise to the idea of the ‘Renaissance.’ You should read Lauro Martines’ subtle account of ‘The Course of Urban Values’, and consider how citizenship and urban experience were changing at this time. 

Boccaccio, Giovanni, [from] ‘Introduction’ to his The Decameron (Mark Musa and Peter Bondanella trans.) New York: Norton, 1982 [orig. 1350-52], pp. 5-15 [Document Study].

The Decameron, a famous medieval text by the Italian humanist Giovanni Boccaccio, is a marvellous evocation of the qualities of urban life for the Florentine elite. Written in the aftermath of the Black Death, Boccaccio's introduction captures the essential qualities of city life in Florence at this time, mainly by lamenting its collapse in the extreme pandemic conditions of 1348-49.

Learning outcomes: L01, L02, L03, L04

Week 8

(14 Apr - 20 Apr)

Lecture

Week 8: ABSOLUTISM AND THE RISE OF THE BAROQUE

This week the lecture surveys the new form of 'Baroque' urban planning that began in Rome and soon became associated with 'Absolutist' monarchies around Europe. The architectural style and characteristics of this new 'Grand Manner' were intrinsic to the period's public aesthetics and ceremonies.

Learning outcomes: L01, L03

Tutorial

Week 8: St Petersburg: Dreams and Nightmares

Question: Explain the ‘Slavophile’ hatred of St Petersburg, and its symbolic relationship to Moscow. 

Activity: You should prepare for the tutorial by reading Aleksandr’s classic narrative poem of 1833, ‘The Bronze Horseman.’ What vision of St Petersburg and its cult of authority is evoked here? Be prepared to explain your analysis of the poem to another member of the class.

Required Readings: 

Monas, Sidney, ‘St. Petersburg and Moscow as Cultural Symbols’ in Stavrou, T.F. (ed.), Art and Culture in Nineteenth Century Russia(Bloomington: Indiana University Press, 1983), pp. 26-36. 

This week we will consider the 'split personality ' of Russia's two historic capitals. Sidney Monas's chapter skilfully explores the contrasts between Moscow and St Petersburg, in a way that helps us to understand how cities develop distinct identities. In the tutorial, we will try to explain the nineteenth-century 'Slavophile' hatred of St Petersburg, by delineating its symbolic relationship with Moscow.

Pushkin, Aleksandr, ‘The Bronze Horseman: A Petersburg story’ in The Bronze Horseman: Selected poems of Aleksandr Pushkin (London: Secker & Warburg, 1982) [Document Study].

Pushkin imagines a statue of Peter the Great (the 'bronze horseman') coming fantastically alive, and through this device develops a deep meditation on the relationship between the individual and the Russian state. 


Learning outcomes: L01, L02, L03, L04

Mid-sem break

(21 Apr - 27 Apr)

No student involvement (Breaks, information)

Mid-Semester Break

Week 9

(28 Apr - 04 May)

Lecture

Week 9: CITIES IN REVOLUTION

This lecture focuses on two dynamic European cities to capture the dramatic revolutionary events of the C18th and C19th centuries: Paris and London. This 'Tale of Two Cities' contrasts the history and appearances of these two imposing metropolises.

Learning outcomes: L01, L03

Tutorial

Week 9: London: Contrasts in the Victorian City

Question: For the Victorians, London was both an edifying spectacle of national progress and a terrible indictment of the age. What did the realities of urban life contribute to either of these viewpoints?

Activity: Using the Adam Matthew digital resource London Low Life: Street culture, social reform and the Victorian underworld(find under ‘Databases’ on the UQ library website), identify a document that encapsulates a key theme or experience in London’s ‘street culture’. Bring a copy of the document to class, and be prepared to explain the reasons for your choice to others.

Required Readings: 

Potts, Alex, ‘Picturing the modern metropolis: images of London in the nineteenth century’ History Workshop 26 (1988) 28-56.

For this week’s tutorial, we will consider (starting with Alex Potts’ article), how and why various representations of nineteenth-century London were generated. Using some of the vivid historical documents in the digital resource collection, London Low Life, we will explore the range and rhetorical intentions of urban representations in this period. What did these depictions of London’s extremes seek to achieve?

Mayhew, Henry, [from] ‘The Street-Folk’ in his London Labour and the London Poor (vol. 1) (London: Griffin, Bohn & Co., 1861)[Document Study].

Henry's Mayhew's incredibly rich journalistic accounts of mid-nineteenth century London life and poverty has long been celebrated for its sociological insights into ‘Dickensian London.’ While reading the section ‘Of the London Street Folk’ in preparing for the tutorial, consider Mayhew's motives and approach in preparing this account for newspaper readers. What insights do we gain into London’s social realities through this kind of evidence?


Learning outcomes: L01, L02, L03, L04

Week 10

(05 May - 11 May)

Lecture

Week 10: NO CLASSES - LABOUR DAY PUBLIC HOLIDAY

This lecture discusses the different sources that students can use for their research project and the different forms that it can take.

Week 11

(12 May - 18 May)

Lecture

Week 11: IMPERIAL CITIES, EAST AND WEST

Starting with Michael Doyle’s definition of empire as a relationship, as “effective control, whether formal or informal, of a subordinated society by an imperial society”, this lecture examines how key cities contribute to (and so come to embody) the social, economic, and cultural networks of empire.

Learning outcomes: L01, L03

Tutorial

Week 11: Paris in the Age of Empires

Question: Evaluate Baron Haussmann’s objectives in reforming the Paris during France’s ‘Second Empire’ period. What was the symbolic and practical significance of this transformation? What did it represent to Walter Benjamin in his celebrated essay of 1935?

Activity: Source a contemporary (c. 1850-1900) image of the new streetscape of Paris – a painting, etching, photograph, etc. Bring a copy of this image to class. What does it imply as a representation of this new urban reality? Be prepared to explain your selected image to another member of the tutorial.

Required Readings: 

Hall, Peter, ‘The City of Perpetual Public Works: Paris 1850-1870’ in his Cities in Civilization (London: Phoenix, 1999), pp. 706-27. 

For the Week 11 Tutorial, we examine the iconic streetscape of modern Paris and the process by which it was formed in the 1850s and 1860s. You should read Peter Hall's quite exhaustive overview (in his majestic study Cities and Civilization), with a particular emphasis on pages 706-27. In the discussion we will be evaluating Baron Haussmann's objectives in radically reforming Paris during the reign of Napoleon III.

Benjamin, Walter, ‘Paris, Capital of the 19th Century’ New Left Review I, 48 (1968) 77-88 [orig. 1935] [Document Study]

This short essay by the German-Jewish cultural critic Walter Benjamin is one of the canonical texts of contemporary cultural studies. Why has it been so influential? What did the transformation of Paris represent to Benjamin in this seminal work of urban criticism, and what is the value of his approach?


Learning outcomes: L01, L02, L03, L04

Week 12

(19 May - 25 May)

Lecture

Week 12: CITIES AND MODERN AMERICA

The extraordinary growth and spread of urban centres is a key feature of North America's modern history. In this lecture we examine noted cities like New York, Boston, Chicago and Los Angeles, and reflect on what they have contributed to the myths and national identity of the United States.

Learning outcomes: L01, L03

Tutorial

Week 12: Los Angeles and Environmental Crisis

Question: Why were modern American frequently cities seen as a calamities, and as threats to “the future security of the democratic republics of the New World”? (as Alexis de Tocqueville wrote in 1835). More recently, what do the impacts of the 2025 fires in Los Angeles indicate about the city’s past, present, and future? 

Activity: As the epicentre of a global film industry, Los Angeles is a city that has been relentlessly mythologised. Use an image, a piece of text or film extract to explain to another member of the class what is meant by ‘noir’, in the C20th American context. Why is Los Angeles its natural environment? 

Required Readings:

Abbott, Carl, ‘North America’ in The Oxford Handbook of Cities in World History (Oxford: Oxford University Press, 2013), pp. 504-21.

Davis, Mike, ‘The Case for Letting Malibu Burn’ in his Ecology of Fear: Los Angeles and the Imagination of Disaster (New York: Metropolitan Books, 1998), pp. 93-147.

In this tutorial we will explore aspects of modern American city life in the nineteenth century, building on Abbott's insight that "North American cities were born modern, growing to maturity in the sunlight of liberal capitalism" (p. 504). Yet cities like New York was commonly seen as calamitous and threatening. In the tutorial we will try to explain why this was the case, and what the unruly ‘freedom’ of American cities like New York and Chicago represented to contemporary observers. Turning our attention to the disastrous 2025 fires, we will also consider the deep ironies and continuities evident in this catastrophe. What lessons have been learnt?

Learning outcomes: L01, L02, L03, L04

Week 13

(26 May - 01 Jun)

Lecture

Week 13: OUTPOSTS OF EMPIRE: COLONIAL CITIES

In this final lecture we consider the colonial cities of the British Empire, in both India and settler colonies such as Australia (including Brisbane). Please note there are no tutorials in our course this week.

Learning outcomes: L01, L03

Tutorial

Week 13: The Patterns of Urban History: Brisbane's past and present

Questions: What legacies of the colonial past continue to be a feature of modern Brisbane? Why did the myth of the 'big country town' persist for so long? When will we know that Brisbane has finally 'come of age'?

Activity: Identify one key feature or characteristic of Brisbane (avoiding familiar cliches like the river, or the climate) that to you is an unusual or distinctive marker of the city's urban identity and the lived experiences of its residents. This could be broadly generalised or highly specific. How and in what ways does this aspect capture something essential about Brisbane? Be prepared to explain your choice to another member of the class, using visual aids if that is helpful in making your case.

Required Readings:

Metcalf, Thomas R., 'Colonial Cities' in The Oxford Handbook of Cities in World History (Oxford: Oxford University Press, 2013), pp. 753-69.

Lawson, Ronald, 'An urban society' in his Brisbane in the 1890s: A Study of an Australian Urban Society (St Lucia: University of Queensland Press, 1973), pp. 1-18.

In this final tutorial we consider the urban implications of the colonial process, with particular focus on Australian cities such as Brisbane. It is well known that Australia was a highly urbanised society by the end of the nineteenth century, with its cities experiencing rapid growth through cycles of 'boom and bust.' Lawson's research in the early 1970s was intended to explode the myth of Brisbane as a 'big country town.' How did he seek to challenge that idea? Looking at Brisbane today, how can we trace the evidence of this colonial process in the physical fabric of the city around us? And what have been the implications for this for the experiences of people who live in them?


Learning outcomes: L01, L02, L03, L04

Policies and procedures

University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:

Learn more about UQ policies on my.UQ and the Policy and Procedure Library.