Skip to menu Skip to content Skip to footer
Course profile

Western Art Music 1700-1900: Approaches and Concepts (MUSC1050)

Study period
Sem 1 2025
Location
St Lucia
Attendance mode
In Person

Course overview

Study period
Semester 1, 2025 (24/02/2025 - 21/06/2025)
Study level
Undergraduate
Location
St Lucia
Attendance mode
In Person
Units
2
Administrative campus
St Lucia
Coordinating unit
Music School

Exploration of Western art music from the late Baroque to Romantic eras (c. 1700-1900), including knowledge of its major styles, through representative works, and understanding of its wider contexts. Foundational development of research and communication skills for music-specific studies.

This course provides an introduction to music and musical cultures in Western Europe in the eighteenth and nineteenth centuries. Music is considered in relation to broader social, cultural and regional contexts as well as in relation to its stylistic development. You are introduced to a range of composers and representative musical works, and also to contextual issues to do with the interaction of music and broader European regional cultures during the period, including attitudes to performance and composition.


This course addresses foundational skills in the area of music research and communication. These include score-based analysis, writing and communicating about music in various contexts, understanding and evaluating various forms of writing about music, as well as bibliographic skills and research techniques.


This course has been developed with consideration of Indigenising the curriculum.

Course requirements

Assumed background

MUSC1050 requires that you are able to follow a musical score while listening.

Incompatible

You can't enrol in this course if you've already completed the following:

MUSC1500

Course contact

Course staff

Lecturer

Tutor

Timetable

The timetable for this course is available on the UQ Public Timetable.

Aims and outcomes

This course aims to provide youᅠwith a grounding in the understandingᅠof Western music in the eighteenth and nineteenth centuries; it aims to help youᅠdevelop the tools to engage with this material on a critical level.

Learning outcomes

After successfully completing this course you should be able to:

LO1.

Demonstrate an overall grasp of major developments in Western art music of the eighteenth and nineteenth centuries, including changes in musical styles and social contexts;

LO2.

Demonstrate critical insight into specific case studies of music in terms of stylistic and aesthetic factors and social contexts;

LO3.

Work effectively with the materials of music (scores, sound recordings etc.) in order to make informed critical judgements;

LO4.

Apply bibliographic and research skills to specific problems or questions related to course content; and

LO5.

Communicate effectively in appropriate ways on various topics, questions, issue in relation to the course content.

Assessment

Assessment summary

Category Assessment task Weight Due date
Paper/ Report/ Annotation Music Research Foundations
  • Online
20%

Week 5, Mon 5:00 pm

Essay/ Critique Critical Writing
  • Online
40%

Week 11, Thu 5:00 pm

Examination Final Examination
  • In-person
30%

End of Semester Exam Period

7/06/2025 - 21/06/2025

Quiz, Tutorial/ Problem Set Short quizzes
  • Online
10% Each quiz is worth equal weight

Week 6, Mon 5:00 pm

Week 8, Mon 5:00 pm

Week 12, Mon 5:00 pm

Week 13, Fri 5:00 pm

Assessment details

Music Research Foundations

  • Online
Mode
Written
Category
Paper/ Report/ Annotation
Weight
20%
Due date

Week 5, Mon 5:00 pm

Learning outcomes
L02, L03, L04, L05

Task description

This assessment task gives you the opportunity to demonstrate a range of foundational skills in locating, selecting, evaluating, and referencing source materials for music research. Task specifics are set in week one. You will be able use this work and feedback on it in preparation for the Critical Writing assessment task. These two assessment components are linked.

Submission guidelines

  • Unless otherwise directed, items of written assessment are to be submitted via Turnitin.
  • Before you submit, preview the uploaded document to make sure you have chosen the correct file.
  • When you successfully submit your assessment to Turnitin, you should see the "Submission Complete!" message. After this, a downloadable Digital Receipt will display on your Assignment Dashboard. It is your responsibility to download the Digital Receipt as proof of submission. Turnitin will not send it to you automatically.
  • If you don't see the downloadable Digital Receipt on your assignment dashboard, you should regard your submission as unsuccessful.
  • If the submission was not successful, note the error message (preferably take a screenshot), then go to your assignment page and see if it is possible to submit again. If you cannot submit again, email your course coordinator immediately.
Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

  • Requests for the granting of extensions related to a progressive assessment item (including recitals and aurals) must be made on the Application for Extension of Progressive Assessment form to the Course Coordinator at least 24 hours prior to the submission date, unless the circumstances are such that the student cannot reasonably be expected to have applied by the appropriate due date. The request must also contain documentation satisfactorily supporting the request. If an extension is approved, the new agreed date for submission will be noted on the application and the student notified through their student email.
  • All extension requests must be submitted via the online form. Requests sent to academic staff via email are not considered as official requests under university policy.
  • The guidelines for late submission of progressive assessment, and the application form may be accessed through myAdvisor.
Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

  • All assessment tasks are due at the scheduled time. Extensions are not normally granted for late submission of assessment tasks.
  • The reduction for late submission is 10% of the maximum possible mark allocated for the assessment item, or one grade per day if graded on the basis of 1-7, deducted per day for up to 7 calendar days, at which point any submission will not receive any marks unless an extension has been approved. Each 24 hour block is recorded from the time the submission is due.
  • Penalty for Pass/Fail assessment tasks is that the result for that task will be "Fail".
  • In the event of any discrepancy between due dates and times (for example, between information on the Electronic Course Profile and the assessment material) the Electronic Course Profile will be the authoritative reference.


Critical Writing

  • Online
Mode
Written
Category
Essay/ Critique
Weight
40%
Due date

Week 11, Thu 5:00 pm

Learning outcomes
L02, L03, L04, L05

Task description

You are required to write an essay on one of a range of available topics. Task-specific details are set in the early part of the semester. The work provides you with an opportunity to demonstrate relevant specific knowledge, critical insight, engagement with appropriate research materials, understanding of conventions of academic style (including referencing and citation), and clarity of communication.

Submission guidelines

  • Unless otherwise directed, items of written assessment are to be submitted via Turnitin.
  • Before you submit, preview the uploaded document to make sure you have chosen the correct file.
  • When you successfully submit your assessment to Turnitin, you should see the "Submission Complete!" message. After this, a downloadable Digital Receipt will display on your Assignment Dashboard. It is your responsibility to download the Digital Receipt as proof of submission. Turnitin will not send it to you automatically.
  • If you don't see the downloadable Digital Receipt on your assignment dashboard, you should regard your submission as unsuccessful.
  • If the submission was not successful, note the error message (preferably take a screenshot), then go to your assignment page and see if it is possible to submit again. If you cannot submit again, email your course coordinator immediately.
Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

  • Requests for the granting of extensions related to a progressive assessment item (including recitals and aurals) must be made on the Application for Extension of Progressive Assessment form to the Course Coordinator at least 24 hours prior to the submission date, unless the circumstances are such that the student cannot reasonably be expected to have applied by the appropriate due date. The request must also contain documentation satisfactorily supporting the request. If an extension is approved, the new agreed date for submission will be noted on the application and the student notified through their student email.
  • All extension requests must be submitted via the online form. Requests sent to academic staff via email are not considered as official requests under university policy.
  • The guidelines for late submission of progressive assessment, and the application form may be accessed through myAdvisor.
Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

  • All assessment tasks are due at the scheduled time. Extensions are not normally granted for late submission of assessment tasks.
  • The reduction for late submission is 10% of the maximum possible mark allocated for the assessment item, or one grade per day if graded on the basis of 1-7, deducted per day for up to 7 calendar days, at which point any submission will not receive any marks unless an extension has been approved. Each 24 hour block is recorded from the time the submission is due.
  • Penalty for Pass/Fail assessment tasks is that the result for that task will be "Fail".
  • In the event of any discrepancy between due dates and times (for example, between information on the Electronic Course Profile and the assessment material) the Electronic Course Profile will be the authoritative reference.

Final Examination

  • In-person
Mode
Written
Category
Examination
Weight
30%
Due date

End of Semester Exam Period

7/06/2025 - 21/06/2025

Other conditions
Time limited.

See the conditions definitions

Learning outcomes
L01, L02

Task description

You are required to sit a final examination covering course content from weeks 4 to 13. The examination format is multiple-choice.

Exam details

Planning time 10 minutes
Duration 120 minutes
Calculator options

No calculators permitted

Open/closed book Closed Book examination - specified written materials permitted
Materials

One A4 sheet of handwritten or typed notes, double sided, is permitted

Exam platform Paper based
Invigilation

Invigilated in person

Submission guidelines

Deferral or extension

You may be able to defer this exam.

A deferral must be applied for on time and through the correct process. Please visit this page for detailed instructions.

Short quizzes

  • Online
Mode
Written
Category
Quiz, Tutorial/ Problem Set
Weight
10% Each quiz is worth equal weight
Due date

Week 6, Mon 5:00 pm

Week 8, Mon 5:00 pm

Week 12, Mon 5:00 pm

Week 13, Fri 5:00 pm

Other conditions
Time limited.

See the conditions definitions

Learning outcomes
L01, L02

Task description

Four regularly spaced short quizzes to be completed in student's own time within set periods (selected Mondays/Fridays between 9.00am and 9.00pm). These will comprise multiple-choice questions related to lecture content leading up to the time of the quiz (generally, the two lectures prior). 

Submission guidelines

Completed via Learn.UQ

Deferral or extension

You cannot defer or apply for an extension for this assessment.

  • Requests for the granting of extensions related to a progressive assessment item (including recitals and aurals) must be made on the Application for Extension of Progressive Assessment form to the Course Coordinator at least 24 hours prior to the submission date, unless the circumstances are such that the student cannot reasonably be expected to have applied by the appropriate due date. The request must also contain documentation satisfactorily supporting the request. If an extension is approved, the new agreed date for submission will be noted on the application and the student notified through their student email.
  • All extension requests must be submitted via the online form. Requests sent to academic staff via email are not considered as official requests under university policy.
  • The guidelines for late submission of progressive assessment, and the application form may be accessed through myAdvisor.
Late submission

You will receive a mark of 0 if this assessment is submitted late.

  • All assessment tasks are due at the scheduled time. Extensions are not normally granted for late submission of assessment tasks.
  • The reduction for late submission is 10% of the maximum possible mark allocated for the assessment item, or one grade per day if graded on the basis of 1-7, deducted per day for up to 7 calendar days, at which point any submission will not receive any marks unless an extension has been approved. Each 24 hour block is recorded from the time the submission is due.
  • Penalty for Pass/Fail assessment tasks is that the result for that task will be "Fail".
  • In the event of any discrepancy between due dates and times (for example, between information on the Electronic Course Profile and the assessment material) the Electronic Course Profile will be the authoritative reference.

Course grading

Full criteria for each grade is available in the Assessment Procedure.

Grade Cut off Percent Description
1 (Low Fail) 1 -

Absence of evidence of achievement of course learning outcomes.

Course grade description: Work is grossly deficient and does not satisfy basic requirements of the course.

2 (Fail) 25 -

Minimal evidence of achievement of course learning outcomes.

Course grade description: Work does not satisfy basic requirements of the course.

3 (Marginal Fail) 45 -

Demonstrated evidence of developing achievement of course learning outcomes

Course grade description: Work shows an overall inadequate grasp of specific course content and skills as required in assessment.

4 (Pass) 50 -

Demonstrated evidence of functional achievement of course learning outcomes.

Course grade description: Work demonstrates an adequate grasp of fundamental concepts and skills as required in assessment activities, although it also shows significant room for improvement in fluency and accuracy. Understanding of concepts, while evident, lacks sophistication.

5 (Credit) 65 -

Demonstrated evidence of proficient achievement of course learning outcomes.

Course grade description: Work demonstrates a commendable understanding of main concepts, and acquired skills are used appropriately in contextual tasks. There is still room for improvement in a number of areas.

6 (Distinction) 75 -

Demonstrated evidence of advanced achievement of course learning outcomes.

Course grade description: Work demonstrates insight into deeper aspects of the subject and proficiency in all associated skills which are integrated fully in writing and performance and other tasks.

7 (High Distinction) 85 -

Demonstrated evidence of exceptional achievement of course learning outcomes.

Course grade description: Work demonstrates an exceptional understanding and a high level of proficiency in all aspects of the subject and an imaginative flair in writing and aural tasks.

Additional course grading information

Please note that in order to be eligible for a final course grade all pieces of assessment must be completed.

Marking criteria and/or marking rubrics for individual assessment items are available in the Assessment folder in Blackboard for this course.

Supplementary assessment

Supplementary assessment is available for this course.

Additional assessment information

This assessment task evaluates student’s abilities, skills and knowledge without the aid of Artificial Intelligence (AI). Students are advised that the use of AI technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct. 

Learning resources

You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.

Library resources

Find the required and recommended resources for this course on the UQ Library website.

Other course materials

If we've listed something under further requirement, you'll need to provide your own.

Required

Item Description Further Requirement
Course Anthology Copies can be obtained at UQ Print. own item needed

Recommended

Item Description Further Requirement
Burkholder, J. Peter, Donald Jay Grout and Claude V. Palisca. A History of Western Music. 10th ed. New York: Norton, 2018. You may also be able to utilise copies of the 7th (2006), 8th (2010) or 9th (2014) editions. Editions earlier than this are much less suitable and cannot be recommended. Limited copies are available in the UQ Library. This is a standard text for undergraduate music history. As such, relevant pages will be advised in relation to course contents. The book covers time periods beyond the chronological range of this course, but will be of use in other courses. Although purchasing it represents a substantial outlay, this is a standard book which is deserving of a place on the bookshelf of any one who has a professional interest in Western music.

Additional learning resources information

In addition to the material above, the content of the course refers also to the following texts:


Schulenberg, David. Music of the Baroque. 3rd ed. New York: Oxford University Press, 2014. [ML193.S38 2014]


Pauly, Reinhard G. Music in the Classic Period. 3rd ed. Englewood Cliffs, N.J.: Prentice Hall, 1988. [ML195.P38 1988]


Plantinga, Leon. Romantic Music: A History of Musical Styles in Nineteenth-Century Europe. New York: Norton, 1984 [ML196.P6 1984]


Strunk, Oliver, ed.ᅠSource Readings in Music History. Revised ed. Edited by Leo Treitler. New York: Norton, 1998.


Taruskin, Richard. Music in the Seventeenth and Eighteenth Centuries. The Oxford History of Western Music 2. Oxford: Oxford University Press, 2010. [Online]


Taruskin, Richard. Music in the Nineteenth Century.ᅠThe Oxford History of Western Music 3. Oxford: Oxford University Press, 2010. [Online]


Weiss, Piero and Richard Taruskin.ᅠMusic in the Western World: A History in Documents. 2nd ed. New York: Schirmer, 2008. [ML160.M865 2008]

Learning activities

The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.

Filter activity type by

Please select
Clear filters
Learning period Activity type Topic
Week 1
Lecture

Course Introduction

Introduction to the course: overview of content, assessment, and so on.

Learning outcomes: L01

Week 2
Lecture

Historical Overview

This lecture provides a broad overview of the two centuries from 1700 to 1900, setting out a framework of major developments across Europe both in musical and other terms.

Learning outcomes: L01

Tutorial

Music Research Foundations

This and next week's tutorial concentrate on developing foundational skills and knowledge for successful music research.

Learning outcomes: L03, L04

Week 3
Lecture

Resources for Music Research

This lecture introduces a range of research tools available through the library as well as explaining key concepts around the early stages of music research that are relevant to the first assessment (Music Research Foundations).                           

Learning outcomes: L03, L04

Tutorial

Music Research Foundations

Continues from week 2.

Learning outcomes: L03, L04, L05

Week 4
Lecture

Instrumental Music in the Late Baroque Period

Considers instrumental music in c. 1700-1750, styles and contexts, including, amongst others, the sonatas and concertos of Corelli and Vivaldi, French keyboard music, North German organ works, and J. S. Bach's instrumental music.

Learning outcomes: L01, L02

Tutorial

Bach, Brandenburg Concerto No. 5

Focus on Bach's 5th Brandenburg Concerto and related readings. Topics include Bach's adaptation of the Baroque concerto form, as well political interpretation of the concerto's unique form.

Learning outcomes: L02, L03, L05

Week 5
Lecture

Vocal Music in the Late Baroque Period

Considers various types of vocal styles and their contexts in music c. 1700-1750. Includes: Italian opera, Lutheran church music, and English oratorio.

Learning outcomes: L01, L02

Tutorial

Bach, Brandenburg Concerto No. 5 (continued)

Continues from week 4.

Learning outcomes: L02, L03, L05

Week 6
Lecture

Vocal Music in the Classical Period

Considers vocal music, primarily opera, in the second half of the 18th century. This includes the emergence and development of opera buffa, the reforms of Gluck, and the operas of Mozart.

Learning outcomes: L01, L02

Tutorial

Mozart, Don Giovanni

Focus on late-Classical opera buffa through the excerpts from Mozart's Don Giovanni. Issues include conventions of opera buffa, Mozart's use of dance-based music as a system of social signification, issues of gender politics in music

Learning outcomes: L02, L03, L05

Week 7
Lecture

Instrumental Music in the Classical period

Considers instrumental genres in the second half of the eighteenth century, including keyboard sonatas, the emergence of the string quartet and the maturation of the classical symphony.

Learning outcomes: L01, L02

Tutorial

Mozart, Don Giovanni (continued)

Continues from week 6.

Learning outcomes: L02, L03, L05

Week 8
Lecture

Vocal Music in the Early Romantic Period

Considers two contrasting styles of vocal music in the early Romantic period (c. 1815-1850): Italian opera and the German Lied. Also briefly covers the emergence of German Romantic opera and the phenomenon of French grand opera.

Learning outcomes: L01, L02

Week 10
Lecture

Instrumental Music in the Early Romantic Period

Considers instrumental genres and forms of the early Romantic period. Includes piano music for the home, the cult of the virtuoso, formal innovations, and developments in symphonic music after Beethoven.

Learning outcomes: L01, L02

Tutorial

Clara Schumann, Three Songs from Liebesfrühling Lieder, op. 12.

Considers early Romantic lieder with focus on selected songs by Clara Schumann from the Liebesfrühling Lieder, op. 12.

Learning outcomes: L02, L03, L05

Week 11
Lecture

Vocal Music in the late Romantic period

Considers the development of opera and the distinctive paths seen in the works of Wagner and Verdi. Also considers other particular developments in opera and Lieder

Learning outcomes: L01, L02

Tutorial

Clara Schumann, Three Songs from Liebesfrühling Lieder, op. 12.

Continues from week 8.

Learning outcomes: L02, L03, L05

Week 12
Lecture

Instrumental Music in the late Romantic period

Considers the later developments of instrumental music (in particular symphonic music), including the symphonies or Brahms and the program music of Liszt and Strauss.

Learning outcomes: L01, L02

Tutorial

R. Strauss, Don Juan

Considers late Romantic symphonic music through Strauss's tone poem, Don Juan. Issues considered include program music, changes to sonata procedure, gender representations in music (c.f. Mozart)

Learning outcomes: L02, L03, L05

Week 13
Lecture

Course conclusion

Course wrap up and advice and activities for exam preparation.

Learning outcomes: L01, L02

Tutorial

R. Strauss, Don Juan

Continues from week 12.

Learning outcomes: L02, L04, L05

Additional learning activity information

MUSC1050 is taught through lectures and tutorials


Lectures are predominantly designed to disseminate information and ideas with a wide coverage across a range of topics in Western Art Music during the period covered in the course. These topics, however, are not comprehensive. Additionally, some time in the lectures is given to various learning activities—these will not require any particular preparation unless advised in the previous lecture.


Tutorials run in smaller groups and are intended to foster more focussed thinking and interactive participation. They will focus on a small number of works and readings with the objective of developing your skills in thinking about, analysing, contextualising and communicating about Western Art Music. These sessions are far from comprehensive—there are literally hundreds, if not thousands, of works and readings of comparable quality of significance that we could have selected.


Lecture sessions are recorded for access after lectures through the ECHO 360 system


Tutorial sessions are not recorded.


Attendance at and participation in all these sessions is, obviously, important to your level of achievement in the course. We found have over many years that there is a high level of correlation between attendance, participation and success. However, attendance is not compulsory and is not connected to assessment. If we take a record of assessment, it is purely for record keeping purposes and will not have any impact on your grade.


All regular classes run by the School of Music are suspended during Project Week. Course staff remain available for consultation on any course-related matter.

Policies and procedures

University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:

Learn more about UQ policies on my.UQ and the Policy and Procedure Library.

School guidelines

Your school has additional guidelines you'll need to follow for this course:

  • School of Music site

Course guidelines

Communication (VERY important, please read carefully):

  • The primary means of communication between the staff for this course and enrolled students is by email.
  • Only UQ student email addresses will be used for this purpose.
  • Students must check their UQ email account regularly (note that regular checking of student email is a requirement for enrolled students under the UQ Policies and Procedures Library (PPL), see PPL Email and Bulk Messaging Procedure , section 3 (12) Student and Alumni Email)
  • Failure to read important notifications about the course as may occur from time to time will NOT be regarded as a valid reason for failing to comply with course requirements.
  • Students should also log in regularly to the learn.UQ learning management system and check the MUSC1050 site for announcements, for added lecture and tutorial content and for assessment items and related information. Again, failure to log in regularly to learn.UQ and check the MUSC1050 site is NOT considered a valid reason for failing to comply with course requirements.


Electronic Devices in Class: 

  • Use of electronic devices are permitted in lectures and tutorials provided that this use is restricted to functions appropriate to the class, including things such as note taking or interactive quizzes, etc. Use for purposes other than in support of learning in the class is not tolerated. Students may occasionally be asked to put all devices away and compliance at this point is expected.