Course overview
- Study period
- Semester 1, 2025 (24/02/2025 - 21/06/2025)
- Study level
- Undergraduate
- Location
- St Lucia
- Attendance mode
- In Person
- Units
- 2
- Administrative campus
- St Lucia
- Coordinating unit
- Music School
Exploration of Western art music from the late Baroque to Romantic eras (c. 1700-1900), including knowledge of its major styles, through representative works, and understanding of its wider contexts. Foundational development of research and communication skills for music-specific studies.
This course provides an introduction to music and musical cultures in Western Europe in the eighteenth and nineteenth centuries. Music is considered in relation to broader social, cultural and regional contexts as well as in relation to its stylistic development. You are introduced to a range of composers and representative musical works, and also to contextual issues to do with the interaction of music and broader European regional cultures during the period, including attitudes to performance and composition.
This course addresses foundational skills in the area of music research and communication. These include score-based analysis, writing and communicating about music in various contexts, understanding and evaluating various forms of writing about music, as well as bibliographic skills and research techniques.
This course has been developed with consideration of Indigenising the curriculum.
Course requirements
Assumed background
MUSC1050 requires that you are able to follow a musical score while listening.
Incompatible
You can't enrol in this course if you've already completed the following:
MUSC1500
Course contact
Course staff
Timetable
The timetable for this course is available on the UQ Public Timetable.
Aims and outcomes
This course aims to provide youᅠwith a grounding in the understandingᅠof Western music in the eighteenth and nineteenth centuries; it aims to help youᅠdevelop the tools to engage with this material on a critical level.
Learning outcomes
After successfully completing this course you should be able to:
LO1.
Demonstrate an overall grasp of major developments in Western art music of the eighteenth and nineteenth centuries, including changes in musical styles and social contexts;
LO2.
Demonstrate critical insight into specific case studies of music in terms of stylistic and aesthetic factors and social contexts;
LO3.
Work effectively with the materials of music (scores, sound recordings etc.) in order to make informed critical judgements;
LO4.
Apply bibliographic and research skills to specific problems or questions related to course content; and
LO5.
Communicate effectively in appropriate ways on various topics, questions, issue in relation to the course content.
Assessment
Assessment summary
Category | Assessment task | Weight | Due date |
---|---|---|---|
Paper/ Report/ Annotation |
Music Research Foundations
|
20% |
Week 5, Mon 5:00 pm |
Essay/ Critique |
Critical Writing
|
40% |
Week 11, Thu 5:00 pm |
Examination |
Final Examination
|
30% |
End of Semester Exam Period 7/06/2025 - 21/06/2025 |
Quiz, Tutorial/ Problem Set |
Short quizzes
|
10% Each quiz is worth equal weight |
Week 6, Mon 5:00 pm Week 8, Mon 5:00 pm Week 12, Mon 5:00 pm Week 13, Fri 5:00 pm |
Assessment details
Music Research Foundations
- Online
- Mode
- Written
- Category
- Paper/ Report/ Annotation
- Weight
- 20%
- Due date
Week 5, Mon 5:00 pm
- Learning outcomes
- L02, L03, L04, L05
Task description
This assessment task gives you the opportunity to demonstrate a range of foundational skills in locating, selecting, evaluating, and referencing source materials for music research. Task specifics are set in week one. You will be able use this work and feedback on it in preparation for the Critical Writing assessment task. These two assessment components are linked.
Submission guidelines
- Unless otherwise directed, items of written assessment are to be submitted via Turnitin.
- Before you submit, preview the uploaded document to make sure you have chosen the correct file.
- When you successfully submit your assessment to Turnitin, you should see the "Submission Complete!" message. After this, a downloadable Digital Receipt will display on your Assignment Dashboard. It is your responsibility to download the Digital Receipt as proof of submission. Turnitin will not send it to you automatically.
- If you don't see the downloadable Digital Receipt on your assignment dashboard, you should regard your submission as unsuccessful.
- If the submission was not successful, note the error message (preferably take a screenshot), then go to your assignment page and see if it is possible to submit again. If you cannot submit again, email your course coordinator immediately.
Deferral or extension
You may be able to apply for an extension.
The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.
- Requests for the granting of extensions related to a progressive assessment item (including recitals and aurals) must be made on the Application for Extension of Progressive Assessment form to the Course Coordinator at least 24 hours prior to the submission date, unless the circumstances are such that the student cannot reasonably be expected to have applied by the appropriate due date. The request must also contain documentation satisfactorily supporting the request. If an extension is approved, the new agreed date for submission will be noted on the application and the student notified through their student email.
- All extension requests must be submitted via the online form. Requests sent to academic staff via email are not considered as official requests under university policy.
- The guidelines for late submission of progressive assessment, and the application form may be accessed through myAdvisor.
Late submission
A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.
- All assessment tasks are due at the scheduled time. Extensions are not normally granted for late submission of assessment tasks.
- The reduction for late submission is 10% of the maximum possible mark allocated for the assessment item, or one grade per day if graded on the basis of 1-7, deducted per day for up to 7 calendar days, at which point any submission will not receive any marks unless an extension has been approved. Each 24 hour block is recorded from the time the submission is due.
- Penalty for Pass/Fail assessment tasks is that the result for that task will be "Fail".
- In the event of any discrepancy between due dates and times (for example, between information on the Electronic Course Profile and the assessment material) the Electronic Course Profile will be the authoritative reference.
Critical Writing
- Online
- Mode
- Written
- Category
- Essay/ Critique
- Weight
- 40%
- Due date
Week 11, Thu 5:00 pm
- Learning outcomes
- L02, L03, L04, L05
Task description
You are required to write an essay on one of a range of available topics. Task-specific details are set in the early part of the semester. The work provides you with an opportunity to demonstrate relevant specific knowledge, critical insight, engagement with appropriate research materials, understanding of conventions of academic style (including referencing and citation), and clarity of communication.
Submission guidelines
- Unless otherwise directed, items of written assessment are to be submitted via Turnitin.
- Before you submit, preview the uploaded document to make sure you have chosen the correct file.
- When you successfully submit your assessment to Turnitin, you should see the "Submission Complete!" message. After this, a downloadable Digital Receipt will display on your Assignment Dashboard. It is your responsibility to download the Digital Receipt as proof of submission. Turnitin will not send it to you automatically.
- If you don't see the downloadable Digital Receipt on your assignment dashboard, you should regard your submission as unsuccessful.
- If the submission was not successful, note the error message (preferably take a screenshot), then go to your assignment page and see if it is possible to submit again. If you cannot submit again, email your course coordinator immediately.
Deferral or extension
You may be able to apply for an extension.
The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.
- Requests for the granting of extensions related to a progressive assessment item (including recitals and aurals) must be made on the Application for Extension of Progressive Assessment form to the Course Coordinator at least 24 hours prior to the submission date, unless the circumstances are such that the student cannot reasonably be expected to have applied by the appropriate due date. The request must also contain documentation satisfactorily supporting the request. If an extension is approved, the new agreed date for submission will be noted on the application and the student notified through their student email.
- All extension requests must be submitted via the online form. Requests sent to academic staff via email are not considered as official requests under university policy.
- The guidelines for late submission of progressive assessment, and the application form may be accessed through myAdvisor.
Late submission
A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.
- All assessment tasks are due at the scheduled time. Extensions are not normally granted for late submission of assessment tasks.
- The reduction for late submission is 10% of the maximum possible mark allocated for the assessment item, or one grade per day if graded on the basis of 1-7, deducted per day for up to 7 calendar days, at which point any submission will not receive any marks unless an extension has been approved. Each 24 hour block is recorded from the time the submission is due.
- Penalty for Pass/Fail assessment tasks is that the result for that task will be "Fail".
- In the event of any discrepancy between due dates and times (for example, between information on the Electronic Course Profile and the assessment material) the Electronic Course Profile will be the authoritative reference.
Final Examination
- In-person
- Mode
- Written
- Category
- Examination
- Weight
- 30%
- Due date
End of Semester Exam Period
7/06/2025 - 21/06/2025
- Other conditions
- Time limited.
- Learning outcomes
- L01, L02
Task description
You are required to sit a final examination covering course content from weeks 4 to 13. The examination format is multiple-choice.
Exam details
Planning time | 10 minutes |
---|---|
Duration | 120 minutes |
Calculator options | No calculators permitted |
Open/closed book | Closed Book examination - specified written materials permitted |
Materials | One A4 sheet of handwritten or typed notes, double sided, is permitted |
Exam platform | Paper based |
Invigilation | Invigilated in person |
Submission guidelines
Deferral or extension
You may be able to defer this exam.
A deferral must be applied for on time and through the correct process. Please visit this page for detailed instructions.
Short quizzes
- Online
- Mode
- Written
- Category
- Quiz, Tutorial/ Problem Set
- Weight
- 10% Each quiz is worth equal weight
- Due date
Week 6, Mon 5:00 pm
Week 8, Mon 5:00 pm
Week 12, Mon 5:00 pm
Week 13, Fri 5:00 pm
- Other conditions
- Time limited.
- Learning outcomes
- L01, L02
Task description
Four regularly spaced short quizzes to be completed in student's own time within set periods (selected Mondays/Fridays between 9.00am and 9.00pm). These will comprise multiple-choice questions related to lecture content leading up to the time of the quiz (generally, the two lectures prior).
Submission guidelines
Completed via Learn.UQ
Deferral or extension
You cannot defer or apply for an extension for this assessment.
- Requests for the granting of extensions related to a progressive assessment item (including recitals and aurals) must be made on the Application for Extension of Progressive Assessment form to the Course Coordinator at least 24 hours prior to the submission date, unless the circumstances are such that the student cannot reasonably be expected to have applied by the appropriate due date. The request must also contain documentation satisfactorily supporting the request. If an extension is approved, the new agreed date for submission will be noted on the application and the student notified through their student email.
- All extension requests must be submitted via the online form. Requests sent to academic staff via email are not considered as official requests under university policy.
- The guidelines for late submission of progressive assessment, and the application form may be accessed through myAdvisor.
Late submission
You will receive a mark of 0 if this assessment is submitted late.
- All assessment tasks are due at the scheduled time. Extensions are not normally granted for late submission of assessment tasks.
- The reduction for late submission is 10% of the maximum possible mark allocated for the assessment item, or one grade per day if graded on the basis of 1-7, deducted per day for up to 7 calendar days, at which point any submission will not receive any marks unless an extension has been approved. Each 24 hour block is recorded from the time the submission is due.
- Penalty for Pass/Fail assessment tasks is that the result for that task will be "Fail".
- In the event of any discrepancy between due dates and times (for example, between information on the Electronic Course Profile and the assessment material) the Electronic Course Profile will be the authoritative reference.
Course grading
Full criteria for each grade is available in the Assessment Procedure.
Grade | Cut off Percent | Description |
---|---|---|
1 (Low Fail) | 1 - |
Absence of evidence of achievement of course learning outcomes. Course grade description: Work is grossly deficient and does not satisfy basic requirements of the course. |
2 (Fail) | 25 - |
Minimal evidence of achievement of course learning outcomes. Course grade description: Work does not satisfy basic requirements of the course. |
3 (Marginal Fail) | 45 - |
Demonstrated evidence of developing achievement of course learning outcomes Course grade description: Work shows an overall inadequate grasp of specific course content and skills as required in assessment. |
4 (Pass) | 50 - |
Demonstrated evidence of functional achievement of course learning outcomes. Course grade description: Work demonstrates an adequate grasp of fundamental concepts and skills as required in assessment activities, although it also shows significant room for improvement in fluency and accuracy. Understanding of concepts, while evident, lacks sophistication. |
5 (Credit) | 65 - |
Demonstrated evidence of proficient achievement of course learning outcomes. Course grade description: Work demonstrates a commendable understanding of main concepts, and acquired skills are used appropriately in contextual tasks. There is still room for improvement in a number of areas. |
6 (Distinction) | 75 - |
Demonstrated evidence of advanced achievement of course learning outcomes. Course grade description: Work demonstrates insight into deeper aspects of the subject and proficiency in all associated skills which are integrated fully in writing and performance and other tasks. |
7 (High Distinction) | 85 - |
Demonstrated evidence of exceptional achievement of course learning outcomes. Course grade description: Work demonstrates an exceptional understanding and a high level of proficiency in all aspects of the subject and an imaginative flair in writing and aural tasks. |
Additional course grading information
Please note that in order to be eligible for a final course grade all pieces of assessment must be completed.
Marking criteria and/or marking rubrics for individual assessment items are available in the Assessment folder in Blackboard for this course.
Supplementary assessment
Supplementary assessment is available for this course.
Additional assessment information
This assessment task evaluates student’s abilities, skills and knowledge without the aid of Artificial Intelligence (AI). Students are advised that the use of AI technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct.
Learning resources
You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.
Library resources
Find the required and recommended resources for this course on the UQ Library website.
Other course materials
If we've listed something under further requirement, you'll need to provide your own.
Required
Item | Description | Further Requirement |
---|---|---|
Course Anthology | Copies can be obtained at UQ Print. | own item needed |
Recommended
Item | Description | Further Requirement |
---|---|---|
Burkholder, J. Peter, Donald Jay Grout and Claude V. Palisca. A History of Western Music. 10th ed. New York: Norton, 2018. | You may also be able to utilise copies of the 7th (2006), 8th (2010) or 9th (2014) editions. Editions earlier than this are much less suitable and cannot be recommended. Limited copies are available in the UQ Library. This is a standard text for undergraduate music history. As such, relevant pages will be advised in relation to course contents. The book covers time periods beyond the chronological range of this course, but will be of use in other courses. Although purchasing it represents a substantial outlay, this is a standard book which is deserving of a place on the bookshelf of any one who has a professional interest in Western music. |
Additional learning resources information
In addition to the material above, the content of the course refers also to the following texts:
Schulenberg, David. Music of the Baroque. 3rd ed. New York: Oxford University Press, 2014. [ML193.S38 2014]
Pauly, Reinhard G. Music in the Classic Period. 3rd ed. Englewood Cliffs, N.J.: Prentice Hall, 1988. [ML195.P38 1988]
Plantinga, Leon. Romantic Music: A History of Musical Styles in Nineteenth-Century Europe. New York: Norton, 1984 [ML196.P6 1984]
Strunk, Oliver, ed.ᅠSource Readings in Music History. Revised ed. Edited by Leo Treitler. New York: Norton, 1998.
Taruskin, Richard. Music in the Seventeenth and Eighteenth Centuries. The Oxford History of Western Music 2. Oxford: Oxford University Press, 2010. [Online]
Taruskin, Richard. Music in the Nineteenth Century.ᅠThe Oxford History of Western Music 3. Oxford: Oxford University Press, 2010. [Online]
Weiss, Piero and Richard Taruskin.ᅠMusic in the Western World: A History in Documents. 2nd ed. New York: Schirmer, 2008. [ML160.M865 2008]
Learning activities
The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.
Filter activity type by
Please select
Learning period | Activity type | Topic |
---|---|---|
Week 1 |
Lecture |
Course Introduction Introduction to the course: overview of content, assessment, and so on. Learning outcomes: L01 |
Week 2 |
Lecture |
Historical Overview This lecture provides a broad overview of the two centuries from 1700 to 1900, setting out a framework of major developments across Europe both in musical and other terms. Learning outcomes: L01 |
Tutorial |
Music Research Foundations This and next week's tutorial concentrate on developing foundational skills and knowledge for successful music research. Learning outcomes: L03, L04 |
|
Week 3 |
Lecture |
Resources for Music Research This lecture introduces a range of research tools available through the library as well as explaining key concepts around the early stages of music research that are relevant to the first assessment (Music Research Foundations). Learning outcomes: L03, L04 |
Tutorial |
Music Research Foundations Continues from week 2. Learning outcomes: L03, L04, L05 |
|
Week 4 |
Lecture |
Instrumental Music in the Late Baroque Period Considers instrumental music in c. 1700-1750, styles and contexts, including, amongst others, the sonatas and concertos of Corelli and Vivaldi, French keyboard music, North German organ works, and J. S. Bach's instrumental music. Learning outcomes: L01, L02 |
Tutorial |
Bach, Brandenburg Concerto No. 5 Focus on Bach's 5th Brandenburg Concerto and related readings. Topics include Bach's adaptation of the Baroque concerto form, as well political interpretation of the concerto's unique form. Learning outcomes: L02, L03, L05 |
|
Week 5 |
Lecture |
Vocal Music in the Late Baroque Period Considers various types of vocal styles and their contexts in music c. 1700-1750. Includes: Italian opera, Lutheran church music, and English oratorio. Learning outcomes: L01, L02 |
Tutorial |
Bach, Brandenburg Concerto No. 5 (continued) Continues from week 4. Learning outcomes: L02, L03, L05 |
|
Week 6 |
Lecture |
Vocal Music in the Classical Period Considers vocal music, primarily opera, in the second half of the 18th century. This includes the emergence and development of opera buffa, the reforms of Gluck, and the operas of Mozart. Learning outcomes: L01, L02 |
Tutorial |
Mozart, Don Giovanni Focus on late-Classical opera buffa through the excerpts from Mozart's Don Giovanni. Issues include conventions of opera buffa, Mozart's use of dance-based music as a system of social signification, issues of gender politics in music Learning outcomes: L02, L03, L05 |
|
Week 7 |
Lecture |
Instrumental Music in the Classical period Considers instrumental genres in the second half of the eighteenth century, including keyboard sonatas, the emergence of the string quartet and the maturation of the classical symphony. Learning outcomes: L01, L02 |
Tutorial |
Mozart, Don Giovanni (continued) Continues from week 6. Learning outcomes: L02, L03, L05 |
|
Week 8 |
Lecture |
Vocal Music in the Early Romantic Period Considers two contrasting styles of vocal music in the early Romantic period (c. 1815-1850): Italian opera and the German Lied. Also briefly covers the emergence of German Romantic opera and the phenomenon of French grand opera. Learning outcomes: L01, L02 |
Week 10 |
Lecture |
Instrumental Music in the Early Romantic Period Considers instrumental genres and forms of the early Romantic period. Includes piano music for the home, the cult of the virtuoso, formal innovations, and developments in symphonic music after Beethoven. Learning outcomes: L01, L02 |
Tutorial |
Clara Schumann, Three Songs from Liebesfrühling Lieder, op. 12. Considers early Romantic lieder with focus on selected songs by Clara Schumann from the Liebesfrühling Lieder, op. 12. Learning outcomes: L02, L03, L05 |
|
Week 11 |
Lecture |
Vocal Music in the late Romantic period Considers the development of opera and the distinctive paths seen in the works of Wagner and Verdi. Also considers other particular developments in opera and Lieder Learning outcomes: L01, L02 |
Tutorial |
Clara Schumann, Three Songs from Liebesfrühling Lieder, op. 12. Continues from week 8. Learning outcomes: L02, L03, L05 |
|
Week 12 |
Lecture |
Instrumental Music in the late Romantic period Considers the later developments of instrumental music (in particular symphonic music), including the symphonies or Brahms and the program music of Liszt and Strauss. Learning outcomes: L01, L02 |
Tutorial |
R. Strauss, Don Juan Considers late Romantic symphonic music through Strauss's tone poem, Don Juan. Issues considered include program music, changes to sonata procedure, gender representations in music (c.f. Mozart) Learning outcomes: L02, L03, L05 |
|
Week 13 |
Lecture |
Course conclusion Course wrap up and advice and activities for exam preparation. Learning outcomes: L01, L02 |
Tutorial |
R. Strauss, Don Juan Continues from week 12. Learning outcomes: L02, L04, L05 |
Additional learning activity information
MUSC1050 is taught through lectures and tutorials
Lectures are predominantly designed to disseminate information and ideas with a wide coverage across a range of topics in Western Art Music during the period covered in the course. These topics, however, are not comprehensive. Additionally, some time in the lectures is given to various learning activities—these will not require any particular preparation unless advised in the previous lecture.
Tutorials run in smaller groups and are intended to foster more focussed thinking and interactive participation. They will focus on a small number of works and readings with the objective of developing your skills in thinking about, analysing, contextualising and communicating about Western Art Music. These sessions are far from comprehensive—there are literally hundreds, if not thousands, of works and readings of comparable quality of significance that we could have selected.
Lecture sessions are recorded for access after lectures through the ECHO 360 system
Tutorial sessions are not recorded.
Attendance at and participation in all these sessions is, obviously, important to your level of achievement in the course. We found have over many years that there is a high level of correlation between attendance, participation and success. However, attendance is not compulsory and is not connected to assessment. If we take a record of assessment, it is purely for record keeping purposes and will not have any impact on your grade.
All regular classes run by the School of Music are suspended during Project Week. Course staff remain available for consultation on any course-related matter.
Policies and procedures
University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:
- Student Code of Conduct Policy
- Student Integrity and Misconduct Policy and Procedure
- Assessment Procedure
- Examinations Procedure
- Reasonable Adjustments - Students Policy and Procedure
Learn more about UQ policies on my.UQ and the Policy and Procedure Library.
School guidelines
Your school has additional guidelines you'll need to follow for this course:
- School of Music site
Course guidelines
Communication (VERY important, please read carefully):
- The primary means of communication between the staff for this course and enrolled students is by email.
- Only UQ student email addresses will be used for this purpose.
- Students must check their UQ email account regularly (note that regular checking of student email is a requirement for enrolled students under the UQ Policies and Procedures Library (PPL), see PPL Email and Bulk Messaging Procedure , section 3 (12) Student and Alumni Email)
- Failure to read important notifications about the course as may occur from time to time will NOT be regarded as a valid reason for failing to comply with course requirements.
- Students should also log in regularly to the learn.UQ learning management system and check the MUSC1050 site for announcements, for added lecture and tutorial content and for assessment items and related information. Again, failure to log in regularly to learn.UQ and check the MUSC1050 site is NOT considered a valid reason for failing to comply with course requirements.
Electronic Devices in Class:
- Use of electronic devices are permitted in lectures and tutorials provided that this use is restricted to functions appropriate to the class, including things such as note taking or interactive quizzes, etc. Use for purposes other than in support of learning in the class is not tolerated. Students may occasionally be asked to put all devices away and compliance at this point is expected.