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Course profile

Musicianship 3 (MUSC3060)

Study period
Sem 1 2026
Location
St Lucia
Attendance mode
In Person

Course overview

Study period
Semester 1, 2026 (23/02/2026 - 20/06/2026)
Study level
Undergraduate
Location
St Lucia
Attendance mode
In Person
Units
2
Administrative campus
St Lucia
Coordinating unit
Music School

Advanced study of techniques of Western tonal music, with reference to aspects of 19th-century music, and integrated writing, analysis and aural skills components.

This course comprises two complementaryᅠcomponents: Music Techniques and Aural Skills.


The Music Techniques component of this course entails the further development of music writing and analytical skills in the area of common-practice tonal harmony, building on work completed in MUSC1600 and MUSC2060. Pastiche writing and analysis is now extended to textures beyond four-part vocal to embrace instrumental textures (primarily piano and string quartet) and further chromatic vocabulary and techniques. Classes are conducted in the keyboard lab and basic keyboard work is also integrated into the theory.


The Aural Skills component of this course sees a continuing development of aural skills progressing from MUSC1600 and MUSC2060. While continuing the refinement of diatonic scales (including modulators in sight singing), pentantonic scales, and cadences and modes, chord progressions and four-part dictation are added to complete the basic musicianship skills necessary for the practicing musician. Listening, analysing and singing relevant pieces from the musical literature are an extension for this course. Sight singing, part work, harmonic competence, transcribing and rhythmic development are core components of the course.ᅠ

Course requirements

Assumed background

It is assumed that all students commencing MUSC3060 will have passed MUSC1600 and MUSC2060; for students transfering to third-year at UQ from another institution, it is assumed that the equivalent of these courses has been attained. Students who lack this background level will find MUSC3060 a significant challenge and are advised to complete the earlier courses in the sequence. Students who have not passed MUSC2060 should repeat thatᅠcourse and pass it before attempting MUSC3060.

Prerequisites

You'll need to complete the following courses before enrolling in this one:

MUSC2060

Incompatible

You can't enrol in this course if you've already completed the following:

MUSC2620

Course contact

Course staff

Lecturer

Tutor

Timetable

The timetable for this course is available on the UQ Public Timetable.

Aims and outcomes

The Music Techniques component of MUSC3060 is designed to:

  • consolidate an understanding of the fundamentals of diatonic and chromaticᅠtonal harmonyᅠthroughᅠboth analysis and pastiche music writing (four-part vocal, piano, and string-quartet textures);
  • consolidate and develop understanding of non- and extra-chord tones, patterns of dissonance and resolution, sequences;
  • develop an understanding ofᅠadditional elements of chromatic tonal harmonyᅠwithin an overall diatonic framework (secondary-dominant relations, modal mixture, mediant and Neapolitan modulations, linear chromatic chords, etc.);
  • understand how individual elements can be integrated into a coherentᅠmusical whole in the context of tonal music with chromatic elements.

The Aural Skills component of MUSC3060 is, continuing from MUSC2060, designed to:

  • foster further skills in active music making;
  • develop further skills in aural analysis of musical works;
  • develop further aural musicianship skills in memory work, individual part work, ensemble work, dictation and identification of musical elements/structures

Learning outcomes

After successfully completing this course you should be able to:

LO1.

Music Techniques - Demonstrate understanding of concepts related to tonal harmony in common-practice chromatic idioms through analysis and pastiche writing

LO2.

Music Techniques - Successfully analyse chromatic tonal music in various idioms and formats using relevant methods

LO3.

Music Techniques - Complete various writing tasks integrating theoretical knowledge through basic idiomatic writing in textures such as four-part vocal, piano and string-quartet

LO4.

Music Techniques - Demonstrate harmonic and tonal skills through simple keyboard applications and have basic keyboard competency in standard progressions.

LO5.

Music Techniques - Work in a group, providing support, demonstrate preparedness and positive contribution

LO6.

Aural Skills - Demonstrate fluency and command of a set repertoire for this course

LO7.

Aural Skills - Perform with accurate intonation and attention to tone, blend, dynamics and stylistic characteristics of the musical material

LO8.

Aural Skills - Sing, play and notate familiar and unfamiliar musical material

LO9.

Aural Skills - Demonstrate accuracy, confidence and fluency in all individual, group and ensemble tasks

LO10.

Aural Skills - Demonstrate the ability to work creatively and collaboratively with your peers in practical activities and assessment tasks

LO11.

Aural Skills - Engage critically and reflectively with methodologies used for aural studie

Assessment

Assessment summary

Category Assessment task Weight Due date
Quiz Dictations and Listening Test
  • Identity Verified
  • In-person
20%

27/05/2026

The test is run during class time in week 13

Performance Individual Performance
  • Identity Verified
  • Online
30%

15/06/2026 5:00 pm

Paper/ Report/ Annotation, Practical/ Demonstration Music Writing and Analysis Worksheets
  • Identity Verified
25%

Worksheet 1 16/03/2026 5:00 pm

Worksheet 2 21/04/2026 5:00 pm

Worksheet 3 18/05/2026 5:00 pm

Creative Production/ Exhibition, Participation/ Student contribution Final project
  • Identity Verified
  • In-person
25% Pass/fail

12/05/2026 - 8/06/2026

Workshops will occur in weeks 12 and 13. The submitted project will be due on the first day of the examination period

Assessment details

Dictations and Listening Test

  • Identity Verified
  • In-person
Mode
Written
Category
Quiz
Weight
20%
Due date

27/05/2026

The test is run during class time in week 13

Learning outcomes
L06, L08, L09, L11

Task description

Students will be required to demonstrate the development of aural musicianship skills through a written examination.


PART A (Dictations): Students will be required to demonstrate their ability to think in sound through aural identification and/or dictation of elements such as: rhythm, intervals, melodic and harmonic materials.


PART B (Repertoire): Students may be required to demonstrate the depth of their knowledge through identification of the musical and contextual features (style and genre) of known and unknown repertoire. Students may also be required to demonstrate their ability to think in sound through analysis of unknown repertoire.


This assessment task is to be completed in-person. The use of Artificial Intelligence (AI) tools will not be permitted. Any attempted use of AI may constitute student misconduct under the Student Code of Conduct.

Submission guidelines

Papers are collected at the end of the test

Deferral or extension

You may be able to defer this exam.

In the event of an unforeseen circumstance preventing attendance (e.g. illness), please notify both the Aural Class lecturer and the course co-ordinator as soon as possible.

Late submission

You will receive a mark of 0 if this assessment is submitted late.

Individual Performance

  • Identity Verified
  • Online
Mode
Activity/ Performance
Category
Performance
Weight
30%
Due date

15/06/2026 5:00 pm

Learning outcomes
L06, L07, L08, L09, L10, L11

Task description

Students will demonstrate the ability to perform indiviudally (singing and playing), repertoire and exercises studied in class or self-prepared. Detail will be provided in class and on Blackboard in a timely manner.


Tasks must be videoed with the identity of the student clearly visible to the marker.


Music may be used if preferred.


The use of Artificial Intelligence (AI) tools will not be permitted. Any attempted use of AI may constitute student misconduct under the Student Code of Conduct.

Submission guidelines

The assessment is submitted as a video with student identity clear to the marker

Audio and video quality must be sufficient for a fair assessment—i.e. reasonably clear sound free of distortion, reasonably light and in focus video. Professional/broadcast quality is not required

Videos are to be uploaded to the Blackboard site via the specified assessment link

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Applications for extensions will only be considered when lodged on or before the day of the assessment.

Late submission

A penalty of 1 grade for each 24 hour period from time submission is due will apply for up to 7 days. After 7 days you will receive a mark of 0.

Music Writing and Analysis Worksheets

  • Identity Verified
Mode
Product/ Artefact/ Multimedia, Written
Category
Paper/ Report/ Annotation, Practical/ Demonstration
Weight
25%
Due date

Worksheet 1 16/03/2026 5:00 pm

Worksheet 2 21/04/2026 5:00 pm

Worksheet 3 18/05/2026 5:00 pm

Learning outcomes
L01, L02, L03, L04

Task description

Three (3) worksheets are set during the semester on topics and techniques covered in the weeks prior to submission. All worksheets are of equal value within the percentage allotted to this assessment component of the course

This task has been designed to be challenging, authentic and complex. Whilst students may use AI and/or MT technologies, successful completion of assessment in this course will require students to critically engage in specific contexts and tasks for which artificial intelligence will provide only limited support and guidance.

A failure to reference generative AI or MT use may constitute student misconduct under the Student Code of Conduct.

To pass this assessment, students will be required to demonstrate detailed comprehension of their written submission independent of AI and MT tools.

Submission guidelines

Worksheets are to be submitted electronically through specified submission links in Blackboard.

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Applications for extensions will only be considered when lodged on or before the day of the assessment.

Late submission

A penalty of 1 grade for each 24 hour period from time submission is due will apply for up to 7 days. After 7 days you will receive a mark of 0.

Final project

  • Identity Verified
  • In-person
Mode
Product/ Artefact/ Multimedia, Written
Category
Creative Production/ Exhibition, Participation/ Student contribution
Weight
25% Pass/fail
Due date

12/05/2026 - 8/06/2026

Workshops will occur in weeks 12 and 13. The submitted project will be due on the first day of the examination period

Learning outcomes
L01, L05

Task description

The final project will be a short pastiche composition which integrates a suitable range of harmonic techniques and concepts as studied throughout the semester. It is to be playable by members of a group to in which each student is placed. Compositions will be workshopped during the final two weeks of the course. A short written statement about how the work has been written and changes made as a result of workshopping is also required.

This task has been designed to be challenging, authentic and complex. Whilst students may use AI and/or MT technologies, successful completion of assessment in this course will require students to critically engage in specific contexts and tasks for which artificial intelligence will provide only limited support and guidance.

A failure to reference generative AI or MT use may constitute student misconduct under the Student Code of Conduct.

To pass this assessment, students will be required to demonstrate detailed comprehension of their written submission independent of AI and MT tools.

Submission guidelines

Students will participate in the workshops; they will submit their final written project via the course Blackboard site

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Late submission

You will receive a mark of 0 if this assessment is submitted late.

Course grading

Full criteria for each grade is available in the Assessment Procedure.

Grade Cut off Percent Description
1 (Low Fail) 1 -

Absence of evidence of achievement of course learning outcomes.

Course grade description: Work is grossly deficient and does not satisfy basic requirements of the course.

2 (Fail) 25 -

Minimal evidence of achievement of course learning outcomes.

Course grade description: Work does not satisfy basic requirements of the course.

3 (Marginal Fail) 45 -

Demonstrated evidence of developing achievement of course learning outcomes

Course grade description: Work demonstrates an adequate grasp of fundamental concepts and skills as required in assessment activities, although it also shows significant room for improvement in fluency and accuracy. Understanding of concepts, while evident, lacks sophistication.

4 (Pass) 50 -

Demonstrated evidence of functional achievement of course learning outcomes.

Course grade description: Work demonstrates an adequate grasp of fundamental concepts and skills as required in assessment activities, although it also shows significant room for improvement in fluency and accuracy. Understanding of concepts, while evident, lacks sophistication.

5 (Credit) 65 -

Demonstrated evidence of proficient achievement of course learning outcomes.

Course grade description: Work demonstrates a commendable understanding of main concepts, and acquired skills are used appropriately in contextual tasks. There is still room for improvement in a number of areas.

6 (Distinction) 75 -

Demonstrated evidence of advanced achievement of course learning outcomes.

Course grade description: Work demonstrates insight into deeper aspects of the subject and proficiency in all associated skills which are integrated fully in writing and performance and other tasks.

7 (High Distinction) 85 -

Demonstrated evidence of exceptional achievement of course learning outcomes.

Course grade description: Work demonstrates an exceptional understanding and a high level of proficiency in all aspects of the subject and an imaginative flair in writing and aural tasks.

Additional course grading information

The above descriptors provide general indications as to performance overall based on UQ wide definitions; students are directed to the specific assessment criteria and/or rubrics provided for individual assessment tasks, as well as formative feedback for more specific information on their performance in assessable work.


Marking criteria and/or marking rubrics are available in the ‘Assessment’ folder in Blackboard for this course.

Supplementary assessment

Supplementary assessment is available for this course.

Additional assessment information

Students are directed to the following to important points relating to the determination of the final grade in MUSC3060:

  1. In order to pass MUSC3060, students must obtain a minimum grade of "4" (50% or greater) in BOTH components of the course (music techniques and aural skills).
  2. Within each componentᅠ(Music Techniques and Aural Skills) of MUSC3060, students must attempt all items of assessment in full and in good faith in order to be eligible for a passing grade. In cases where this condition is not metᅠthere will be no consideration given to applications for supplementary assessment.


Student are required to retain a copy of all written/recorded assessment, whether submitted by hard copy or electronically.

Learning resources

You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.

Library resources

Library resources are available on the UQ Library website.

Other course materials

If we've listed something under further requirement, you'll need to provide your own.

Required

Item Description Further Requirement
Keyboard Access to a keyboard is a requirement for participation in this course. While a piano is considered ideal, an electronic keyboard (minim 5 octaves) will also suffice.

Recommended

Item Description Further Requirement
Mark Gotham, Kyle Gullings, Chelsey Hamm, Bryn Hughes, Brian Jarvis, Megan Lavengood, and John Peterson. Open Music Theory. Version 2. Pressbooks, 2023. https://viva.pressbooks.pub/openmusictheory/ An open source music theory textbook covering all topics relevant to the theoretical content of this course.

Additional learning resources information

It is recommended that students consider utilising music notation editing software as appropriate in assessment tasks. ᅠNotation software has a couple of benefits:

  1. it typically provides more readable output, and
  2. it allows you hear your work as you write it. ᅠ


It also has one or two drawbacks:

  1. there is a bit of a learning curve involved, even just for simple note and rest entry, andᅠ
  2. for music theory work in particular, while most software packages are able to create analytical notation (such as Roman-numeral and figured bass symbols) it is not always the easiest thing in the world to get them to do it elegantly, and takes some perseverance and experience.


Common professional packages are Finale and Sibelius, while an open source freeware notation editor that is quite capable is MuseScore, and this is recommended if you don't have access to professional packages


Well presented hand-written work is also still acceptable (and preferred for shorter exercises), but please try to make sure you are listening carefully to what you write.

Learning activities

The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.

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Learning period Activity type Topic
Multiple weeks

From Week 1 To Week 13
(23 Feb - 31 May)

Workshop

Aural Skills Class

Weekly two-hour class in aural skills with practical participation in activities. This class is not scheduled during the School of Music Project Week.

Learning outcomes: L06, L07, L08, L09, L10, L11

Multiple weeks

From Week 1 To Week 11
(23 Feb - 17 May)

Lecture

Music Techniques Lectures

Concepts introduced week to week to full cohort

Learning outcomes: L01, L02, L03, L04

Tutorial

Music Techniques Tutorials

Lecture concepts are explored in more depth in smaller tutorial groups working through exercises

Learning outcomes: L01, L02, L03, L04

Multiple weeks

From Week 12 To Week 13
(18 May - 31 May)

Practical

Group Workshop

The final two works in the Music Techniques stream are devoted to the final project submission. Students will perform their work in progress in small groups.

Learning outcomes: L01, L02, L03, L04, L05

Policies and procedures

University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:

Learn more about UQ policies on my.UQ and the Policy and Procedure Library.

School guidelines

Your school has additional guidelines you'll need to follow for this course:

  • School of Music site

Course guidelines

Communication (VERY important, please read carefully):

  • The primary means of communication between the staff for this course and enrolled students is by email.
  • Only UQ student email addresses will be used for this purpose. 
  • Students must check their UQ email account regularly.
  • Failure to read important notifications about the course as may occur from time to time will NOT be regarded as a valid reason for failing to comply with course requirements.
  • Students should also log in regularly to the learn.UQ learning management system and check the MUSC3060 site for announcements, for added lecture and tutorial content and for assessment items and related information. Again, failure to log in regularly to learn.UQ and check the MUSC3060 site is NOT considered a valid reason for failing to comply with course requirements.