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Course profile

Creative Music Making (MUSC3890)

Study period
Sem 1 2025
Location
St Lucia
Attendance mode
In Person

Course overview

Study period
Semester 1, 2025 (24/02/2025 - 21/06/2025)
Study level
Undergraduate
Location
St Lucia
Attendance mode
In Person
Units
2
Administrative campus
St Lucia
Coordinating unit
Music School

This course is a project-based exploration of improvisation, giving you experience in skills that are important components of secondary music teaching. The focus is a public concert with music improvised by all members of the class. Composition and improvisation skills will be taught throughout the semester in various settings, with small group work. As this is a music course rather than an education course, learning will be strongly focused on practical music making.

This course is a project-based exploration of composition and improvisation, giving you experience in skills that are important components of secondary music teaching. The focus is a public concert late in the semester with music composed and performed collaboratively during the semester by all members of the class. Composition and improvisation skills will be taught throughout the semester in various settings. As this is a music course rather than an education course, learning will be strongly focused on practical music making.


Additionally, creative processes associated with composition and improvisation will be explored in lectures and assignments.

Course requirements

Assumed background

You must be willing to participate in creating and performing music, though there is no assumed background in any area of music beyond being able to play an acoustic instrument (or electric guitar/bass if you are able to provide an amplifier). Laptop musicians will not find the course suitable in most cases.

Incompatible

You can't enrol in this course if you've already completed the following:

MUSC4800

Course contact

Course staff

Tutor

Timetable

The timetable for this course is available on the UQ Public Timetable.

Aims and outcomes

This course aims to provide a context for students to experience practical composition and improvisation as preparation for teaching these skills in the classroom or using them in your musical activities. The rationale is that when teaching musical skills, it is advisable to have experience in those skills; as composition and improvisation are important components of secondary music education, this class provides experience in these skills for those who will teach, and also for those wishing to understand and use musical imrprovisation more broadly.

Learning outcomes

After successfully completing this course you should be able to:

LO1.

Demonstrate a comprehensive understanding of individual improvisation techniques.

LO2.

Demonstrate a comprehensive understanding of the application of musical elements in an applied way.

LO3.

Integrate understanding of musical elements in an applied way.

LO4.

Demonstrate a critical understanding of the above techniques through the use of communication and interactional skills.

Assessment

Assessment summary

Category Assessment task Weight Due date
Participation/ Student contribution, Performance Week 6 in-class performance
  • Team or group-based
35%

31/03/2025 -

Takes place during class time.

Performance Week 12 In-class performance 35%

19/05/2025 - 23/05/2025

Takes place during class time.

Participation/ Student contribution Teacher's Report
  • In-person
30%

24/02/2025 - 26/05/2025

Students receive a report from the teaching team on their participation and engagement with learning activities throughout the semester

Assessment details

Week 6 in-class performance

  • Team or group-based
Mode
Activity/ Performance
Category
Participation/ Student contribution, Performance
Weight
35%
Due date

31/03/2025 -

Takes place during class time.

Learning outcomes
L01, L02, L03

Task description

In the week 6 class, your quartet will perform for approximately 8 minutes. While not performing, you will write comments on the other groups performing.

Details about the specific tasks will be provided in class and on Blackboard under "Assessment".

Submission guidelines

Not a submissible item, takes place during class time.

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Extension requests must be received on or before the due date. No extensions will be grated afterwards.

Late submission

A penalty of 1 grade for each 24 hour period from time submission is due will apply for up to 7 days. After 7 days you will receive a mark of 0.

Week 12 In-class performance

Mode
Activity/ Performance
Category
Performance
Weight
35%
Due date

19/05/2025 - 23/05/2025

Takes place during class time.

Learning outcomes
L01, L02, L03

Task description

In the week 12 class, your quartet will perform for approximately 8 minutes. While not performing, you will write comments on the other groups performing.

Details about the specific tasks will be provided in class and on Blackboard under "Assessment".

Submission guidelines

Not a submissible item, takes place during class time.

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Extension requests must be received on or before the due date. No extensions will be grated afterwards.

Late submission

A penalty of 1 grade for each 24 hour period from time submission is due will apply for up to 7 days. After 7 days you will receive a mark of 0.

Teacher's Report

  • In-person
Mode
Activity/ Performance
Category
Participation/ Student contribution
Weight
30%
Due date

24/02/2025 - 26/05/2025

Students receive a report from the teaching team on their participation and engagement with learning activities throughout the semester

Other conditions
Student specific.

See the conditions definitions

Learning outcomes
L01, L02, L03, L04

Task description

Students receive a report from the teaching team on their participation and engagement with learning activities throughout the semester, including the public and livestreamed concert in week 13 of class. The concert will showcase the improvisatory skills developed during the course: the assessment is based on how effectively you have developed and demonstrated improvisation skills to create music in classes and in the concert.


Supplementary assessment is not available for this assessment task because assessment is based on your participation and engagement with learning activities undertaken throughout the semester.

Submission guidelines

Not a submissible item.

Deferral or extension

You cannot defer or apply for an extension for this assessment.

Extensions are not available as assessment is based on your participation and engagement with learning activities undertaken throughout the semester.

Course grading

Full criteria for each grade is available in the Assessment Procedure.

Grade Cut off Marks Description
1 (Low Fail) 1 -

Absence of evidence of achievement of course learning outcomes.

Course grade description: Occasional application of knowledge and skills

2 (Fail) 25 -

Minimal evidence of achievement of course learning outcomes.

Course grade description: Partial application of knowledge and skills

3 (Marginal Fail) 45 -

Demonstrated evidence of developing achievement of course learning outcomes

Course grade description: Emerging ability to apply knowledge and skills

4 (Pass) 50 -

Demonstrated evidence of functional achievement of course learning outcomes.

Course grade description: Acceptable application of knowledge and skill

5 (Credit) 65 -

Demonstrated evidence of proficient achievement of course learning outcomes.

Course grade description: Effective application of knowledge and skills

6 (Distinction) 75 -

Demonstrated evidence of advanced achievement of course learning outcomes.

Course grade description: Extensive application of knowledge and skill

7 (High Distinction) 85 -

Demonstrated evidence of exceptional achievement of course learning outcomes.

Course grade description: Original, novel and/or creative application of knowledge and skills

Additional course grading information

The assessment follows criterion-based practices, and standards will be assessed based on criteria, then converted into set percentages (there is no variation within a standard).

Supplementary assessment

Supplementary assessment is available for this course.

Additional assessment information

Supplementary assessment is not available for the Teacher's Reportᅠbecause assessment for that task is based on your participation and engagement with learning activities undertaken throughout the semester.

Learning resources

You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.

Library resources

Library resources are available on the UQ Library website.

Other course materials

If we've listed something under further requirement, you'll need to provide your own.

Required

Item Description Further Requirement
Your musical instrument/voice You will need to bring your instrument (including amplifier for electric guitars or keyboards) to every seminar and the final concert

Recommended

Item Description Further Requirement
Brockmann, Nicole. From sight to sound : improvisational games for classical musicians. Bloomington : Indiana University Press, 2009.
Sarath, Edward. Music theory through improvisation [electronic resource] : a new approach to musicianship training. New York: Routledge, 2010.
Agrell, Jeffrey. Improvisation games for classical musicians : a collection of musical games with suggestions for use : for performers, instrumental teachers, music students, music therapists, bands, orchestras, choirs, chamber music ensembles, conductors, composers, pianists, percussionists, and everybody else (even jazz players). Chicago : GIA Publications, c2008.
Eric Edberg, Improvisation and the classical musician (weblog)

Learning activities

The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.

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Learning period Activity type Topic
Multiple weeks

From Week 1 To Week 13
(24 Feb - 01 Jun)

Workshop

Workshop Series

Topics covered on a weekly basis include:

  • Introduction to improvisation, soundpainting, call and response, melodic development and activities for the assessments. Riley, In C - using a notated composition to learn to listen. Practising skills for the first assessment.
  • Introduction to playing solos with looping chord progressions
  • Introduction to techniques from Brockmann's "From sight to sound"
  • Call and response exercises, development of playing over looped chord progressions, rhythmic techniques, introduction to Soundpainting techniques.
  • Refine improvisational techniques to prepare for the week 6 in-class performance.
  • Improvisation techniques.
  • Early music improvisatory styles and techniques
  • Early music improvisatory styles and techniques
  • Modal improvisatory styles and techniques

Please note, no classes are scheduled during the School of Music Project Week.


Learning outcomes: L01, L02, L03, L04

Policies and procedures

University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:

Learn more about UQ policies on my.UQ and the Policy and Procedure Library.

School guidelines

Your school has additional guidelines you'll need to follow for this course:

  • School of Music site
  • Health and Wellbeing for Musicians