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Course profile

Nonfiction for Publication: Think Pieces, Features and Podcasts (WRIT7055)

Study period
Sem 1 2025
Location
St Lucia
Attendance mode
In Person

Course overview

Study period
Semester 1, 2025 (24/02/2025 - 21/06/2025)
Study level
Postgraduate Coursework
Location
St Lucia
Attendance mode
In Person
Units
2
Administrative campus
St Lucia
Coordinating unit
Communication & Arts School

This course develops your critical understanding of how creative nonfiction authors make money from their writing, as freelancers and as entrepreneurs. You will learn about the kinds of nonfiction content that contemporary websites, magazines and platforms want to publish, as well as strategies to monetise your own content. Drawing on techniques from memoir, personal essay, literary journalism and oral history, you will gain practical skills in research, interviewing and revision. We focus on three contemporary forms that early-career writers can master and make money from:
i) the think piece
ii) the feature article
iii) the podcast episode.
This course will help you develop the skills you need to succeed in the competitive world of nonfiction writing and publishing. Join us and take the first steps towards developing a portfolio career as a creative nonfiction writer.

Purpose of the Course

"Nonfiction for Publication" is designed to improve your mastery of some key forms of 'publishable' nonfiction: blog/newsletter posts, think pieces, feature articles and podcasts.ᅠThis course will also make you a better researcher, writer and storyteller;ᅠcrucialᅠskills that are applicable acrossᅠmanyᅠcareer paths.

WRIT7055 isᅠhighly practical and hands-on, allowing students to develop their skills and knowledge through a range of practical activities and assessments. Weᅠwill cover a range of topics, including the principles of nonfiction writing: idea generation,ᅠthe art of storytelling, research techniques, interviewing skills, and the technical skills needed to create podcasts and other digital media content.ᅠThrough a series of seminar presentations, class discussions, in-person workshopping sessions and assignments, students will have the opportunity to develop their writing skills;ᅠexperiment with different styles and genres;ᅠand receive feedback from their peers and instructors. They will also have the opportunity to learn about industry professionals, who will provide insights into the latest trends and developments in nonfiction writing and digital media.

At the end of this course, students will have developed a portfolio of high-quality nonfiction writing and/or audio that is suitable for publication in a range of digital media outlets. They will also have gained a deep understanding of the principles and practices of nonfiction writing, including the importance of accuracy and the value of literary flair.

Course Goals

On completion of thisᅠcourse, you will beᅠfamiliar with a wide range of research and writing techniques appropriate for creative writingᅠprojects. You will beᅠable to use research to produce a finished piece of creative nonfiction, in textual and/or audio form.

Teaching and Learning Modes

WRIT7055ᅠis taught as a weekly in-person 2.5-hour seminar. Itᅠfeatures lecture material;ᅠgroup activities and discussions; peer-to-peer workshopping of draft work;ᅠindividual creative exercises; and student responses to readings.

NOTE:ᅠWRIT7055 is available in-person only. It has been scheduled in the evening, to allow people who work days to attend.

Expectations and Obligations

  • In-person attendance of seminars isᅠkey to doing well in the course. Workshopping and discussion occur face-to-face, with no recordings made and no remote/delayed attendance options. There is a high statistical correlation between attendance/participation rates, and overall scores in universityᅠcourses. While there is no mandatory requirement for you to attend seminars,ᅠassessment details and strategies will be thoroughly covered in them. It is your responsibility to obtain notes from another student if you miss lectures and tutorials. If you have work or other commitments that clash with lectures and tutorials, you may want to consider deferring this course until next year.ᅠ
  • Please be aware that some of the teaching staff are casual academics, and are not able to respond immediately to email contact. A reasonable expectation would be a responseᅠwithin 3ᅠworking daysᅠ(Monday-Friday, 9am-5pm)ᅠfrom all teaching staff in the course; if you email on a Thursday or Friday, do not expect a reply until the following weeks. Apart from wholly unexpected circumstances, it is always better to bring your questions to class; failing that, make sure toᅠgive teaching staff plenty of time to respond.
  • If you are struggling with assessment or experiencing personal difficulties, please let the course convenorᅠknow as soon as you possibly can. We do understand that sometimes feeling overwhelmed prevents students from contacting us in a timely fashion, but you have our assurances that you will be dealt with kindly and non-judgmentally. It is always better to let us know early.

Course requirements

Assumed background

This course assumes that you have an interest in writing and reading/listening to journalism and creative nonfiction, including podcasts. As this course draws on techniques learned in the writing of journalism, nonfiction, fiction and poetry, experience writing in these modes, and/or previous completion of such courses, is an advantage.

Restrictions

Course offering may be cancelled unless a minimum of 10 students enrol.

Course contact

Course staff

Lecturer

Timetable

The timetable for this course is available on the UQ Public Timetable.

Additional timetable information

Whilst every effort is made to place students in their preferred activity, it is not always possible for a student to be enrolled in their tutorial of choice. If you require assistance, please ensure that you email timetabling.commarts@enquire.uq.edu.au from your UQ student email with: 

  • Your name 
  • Your student ID 
  • The course code 
  • A list of three tutorial preferences (in order of preference) 
  • Reason for the change – e.g. timetable clash, elite athlete status, SAP 

Teaching staff do not have access to change tutorials or help with timetables; all timetabling changes must be processed through the Timetabling Team. 

Aims and outcomes

This course seeks to provide

* an overview of the kinds of contemporary non-fiction writing that editors and publishers pay for

* an introduction to the research and writing skills required for think pieces, feature articles and podcast episodes

* a development of the skills required to produce literary journalism and oral history

* critical insights in how to conceptualise, pitch, write, revise and edit your writing for publication.


Learning outcomes

After successfully completing this course you should be able to:

LO1.

Analyse and discuss a range of stylistic features used in contemporary creative nonfiction writing

LO2.

Plan, research, revise, edit and critique contemporary creative nonfiction in a variety of styles

LO3.

Understand key principles and emerging trends in the contemporary creative nonfiction writing and digital publishing industries

Assessment

Assessment summary

Category Assessment task Weight Due date
Creative Production/ Exhibition Blog/newsletter post 10% 250-500 words

24/03/2025 4:00 pm

Due date delayed due to disruptions from Cyclone Alfred

Creative Production/ Exhibition Think piece 30% 800 words

17/04/2025 4:00 pm

Due date delayed due to disruptions from Cyclone Alfred

Creative Production/ Exhibition Feature Article OR Podcast Episode 60% 2500 words / 15 minutes

9/06/2025 4:00 pm

Assessment details

Blog/newsletter post

Mode
Written
Category
Creative Production/ Exhibition
Weight
10% 250-500 words
Due date

24/03/2025 4:00 pm

Due date delayed due to disruptions from Cyclone Alfred

Learning outcomes
L01, L02, L03

Task description

Write a 250-to-500-word guest post for an online newsletter or blog post, in the style one of the newsletters / blogs discussed in seminars:

  • All The Heterosexual Nonsense I Was Forced To Endure
  • Blackbird Spyplane
  • Black Justice Journalism
  • CheeseburgerGothic
  • Emily Writes Weekly
  • The Audacity
  • The Black Hand

The subject of your post will be determined by the newsletter / blog you choose.

Development of the piece can involve:

  • sustained personal reflection and recollection
  • research into your subject
  • research into blogs and online newsletters.

This assessment task evaluates students' abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI) or Machine Translation (MT). Students are advised that the use of AI or MT technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct. 

Submission guidelines

TurnItIn Receipts: 

Assignments for this course will be submitted electronically via Blackboard and using TurnItIn. Before submitting any assignments for this course you must ensure you have completed UQ's compulsory online Academic Integrity Tutorial. 

When you successfully submit your assessment to TurnItIn you will see text confirming your submission is complete, before being redirected to your Assignment inbox. On this page you can: 

  • View the name of the submitted file 
  • View date and time of the upload 
  • Resubmit your paper (if necessary) 
  • Download your submitted paper 
  • Download digital receipt. 

If you cannot see your submission in your Assignment inbox you should regard your submission as unsuccessful. Students are responsible for retaining evidence of submission by the due date for all assessment items, in the required form (e.g. screenshot, email, photo, and an unaltered copy of submitted work). 

If the submission was not successful: 

  • Note the error message (preferably take a screenshot).  
  • Go to your assignment page and see if it is possible to submit again. 
  • If you cannot submit again email your course coordinator immediately with the assignment attached. 

Please visit this webpage for further advice on how to submit your TurnItIn assignment

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

Think piece

Mode
Written
Category
Creative Production/ Exhibition
Weight
30% 800 words
Due date

17/04/2025 4:00 pm

Due date delayed due to disruptions from Cyclone Alfred

Learning outcomes
L01, L02, L03

Task description

Write a 800-word first-person think piece, or 'personal experience' piece, intended for publication in one of the following outlets:

  • Archer mag
  • The Atlantic
  • Brisbane Times
  • Guardian Australia
  • Jacaranda
  • Kill Your Darlings
  • London Review of Books 'Diary'
  • Mamamia
  • SBS 'Voices'
  • Vice

This piece will:

  • have a distinctive, unique first-person voice
  • discuss and/or comment on a contemporary issue in the media
  • draw on your own personal experience, and/or tell a personal story with broader societal relevance.

Development of the piece can involve:

  • research into your topic
  • sustained personal reflection and recollection
  • interviews with friends or family members
  • immersion in, or the revisiting of, a specific location.

This assessment task evaluates students' abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI) or Machine Translation (MT). Students are advised that the use of AI or MT technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct. 

Submission guidelines

TurnItIn Receipts: 

Assignments for this course will be submitted electronically via Blackboard and using TurnItIn. Before submitting any assignments for this course you must ensure you have completed UQ's compulsory online Academic Integrity Tutorial. 

When you successfully submit your assessment to TurnItIn you will see text confirming your submission is complete, before being redirected to your Assignment inbox. On this page you can: 

  • View the name of the submitted file 
  • View date and time of the upload 
  • Resubmit your paper (if necessary) 
  • Download your submitted paper 
  • Download digital receipt. 

If you cannot see your submission in your Assignment inbox you should regard your submission as unsuccessful. Students are responsible for retaining evidence of submission by the due date for all assessment items, in the required form (e.g. screenshot, email, photo, and an unaltered copy of submitted work). 

If the submission was not successful: 

  • Note the error message (preferably take a screenshot).  
  • Go to your assignment page and see if it is possible to submit again. 
  • If you cannot submit again email your course coordinator immediately with the assignment attached. 

Please visit this webpage for further advice on how to submit your TurnItIn assignment

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

Feature Article OR Podcast Episode

Mode
Product/ Artefact/ Multimedia, Written
Category
Creative Production/ Exhibition
Weight
60% 2500 words / 15 minutes
Due date

9/06/2025 4:00 pm

Learning outcomes
L01, L02, L03

Task description

Research and produce a major portfolio piece, which will take the form of either

1.feature article in the style of literary journalism, intended for publication in a magazine or literary journal. 

An accompanying 'Research and Publication statement'.

or

2. a podcast episode, intended for distribution online.

An accompanying podcast trailer.

1. Feature article

This assessment is in two parts:

i. an original, self-contained feature article, in the style of literary journalism, on a topic (or topics) of your choice. This piece can be written in the first-person voice, but the major subject of the piece will not be the narrator. Rather, the feature article will be about a person, or group of people, or place, or subject, out in the world. (2,250 words, including quotes)

ii. a ‘Research and Publication Statement’, in which you summarise the types of research undertaken to prepare your piece of writing. You will also nominate an appropriate publication to submit your piece to, briefly explaining the reasoning behind your choice. (250 words).

2. Podcast Episode

This assessment is in three parts:

i. an original, self-contained, podcast episode, on a topic (or topics) or your choice. This episode can be narrated by yourself, and/or by classmates or colleagues. It must be at least 50% scripted, and edited. (14 minutes)

ii. a trailer for your podcast, which acts as a teaser for the full episode. (1 minute)

iii. a full audio transcript for your podcast and trailer. 

You must not re-submit any writing already submitted for earlier assessment items. However, you may incorporate material from in-class writing exercises into your final piece.

This assessment task evaluates students' abilities, skills and knowledge without the aid of generative Artificial Intelligence (AI) or Machine Translation (MT). Students are advised that the use of AI or MT technologies to develop responses is strictly prohibited and may constitute student misconduct under the Student Code of Conduct. 

Submission guidelines

TurnItIn Receipts: 

Assignments for this course will be submitted electronically via Blackboard and using TurnItIn. Before submitting any assignments for this course you must ensure you have completed UQ's compulsory online Academic Integrity Tutorial. 

When you successfully submit your assessment to TurnItIn you will see text confirming your submission is complete, before being redirected to your Assignment inbox. On this page you can: 

  • View the name of the submitted file 
  • View date and time of the upload 
  • Resubmit your paper (if necessary) 
  • Download your submitted paper 
  • Download digital receipt. 

If you cannot see your submission in your Assignment inbox you should regard your submission as unsuccessful. Students are responsible for retaining evidence of submission by the due date for all assessment items, in the required form (e.g. screenshot, email, photo, and an unaltered copy of submitted work). 

If the submission was not successful: 

  • Note the error message (preferably take a screenshot).  
  • Go to your assignment page and see if it is possible to submit again. 
  • If you cannot submit again email your course coordinator immediately with the assignment attached. 

Please visit this webpage for further advice on how to submit your TurnItIn assignment

Deferral or extension

You may be able to apply for an extension.

The maximum extension allowed is 28 days. Extensions are given in multiples of 24 hours.

Late submission

A penalty of 10% of the maximum possible mark will be deducted per 24 hours from time submission is due for up to 7 days. After 7 days, you will receive a mark of 0.

Course grading

Full criteria for each grade is available in the Assessment Procedure.

Grade Cut off Percent Description
1 (Low Fail) 0 - 24

Absence of evidence of achievement of course learning outcomes.

2 (Fail) 25 - 44

Minimal evidence of achievement of course learning outcomes.

3 (Marginal Fail) 45 - 49

Demonstrated evidence of developing achievement of course learning outcomes

4 (Pass) 50 - 64

Demonstrated evidence of functional achievement of course learning outcomes.

5 (Credit) 65 - 74

Demonstrated evidence of proficient achievement of course learning outcomes.

6 (Distinction) 75 - 84

Demonstrated evidence of advanced achievement of course learning outcomes.

7 (High Distinction) 85 - 100

Demonstrated evidence of exceptional achievement of course learning outcomes.

Additional course grading information

  • Where fractional marks occur in the calculation of the final grade, a mark of x.5% or greater will be rounded up to (x+1)%. A percentage mark of less than x.5% will be rounded down to x%.  
  • Where no assessable work is received, a Grade of X will apply.

Supplementary assessment

Supplementary assessment is available for this course.

Additional assessment information

  • Further information regarding the assessment, including marking criteria and/or marking rubrics are available in the ‘Assessment’ folder in Blackboard for this course. 
  • Marks Cannot Be Changed After Being Released: Marks are not open to negotiation with course staff. If you wish to discuss the feedback you have received, you should make an appointment to speak with the Course Coordinator. 
  • Assessment Re-mark: If you are considering an Assessment Re-mark, please follow the link to important information you should consider before submitting a request. 
  • Integrity Pledge: Assignments for this course will be submitted electronically via Blackboard and using Turnitin. Before submitting any assignments for this course, you must ensure you have completed UQ's compulsory online Academic Integrity Modules.ᅠIn uploading an assignment via Turnitin you are certifying that it is your original work, that it has not been copied in whole or part from another person or source except where this is properly acknowledged, and that it has not in whole or part been previously submitted for assessment in any other course at this or any other university. 
  • Withholding marks prior to finalisation of grades: Per UQ Assessment Procedures – Release of Assessment Item Marks and Grades: The final assessment item and the marks for the assessment item are to be released only after the final grade for the course has been released. 

Learning resources

You'll need the following resources to successfully complete the course. We've indicated below if you need a personal copy of the reading materials or your own item.

Library resources

Find the required and recommended resources for this course on the UQ Library website.

Additional learning resources information

Students who are interested in producing a podcast episode for their final assessment are strongly encouraged to enrol in a The Media and Production Support (MaPS) course on Audio recording and Adobe Audition foundations.

https://communication-arts.uq.edu.au/aboutmaps

Learning activities

The learning activities for this course are outlined below. Learn more about the learning outcomes that apply to this course.

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Learning period Activity type Topic
Week 1

(24 Feb - 02 Mar)

Seminar

Week 1

Introduction: the ever-changing landscape of freelance writing and publishing

Learning outcomes: L01, L03

Week 2

(03 Mar - 09 Mar)

Seminar

Week 2

A brief history of self-publishing online: message boards, blogs, personal websites

Learning outcomes: L01, L02, L03

Week 3

(10 Mar - 16 Mar)

Seminar

Week 3

(Seminar cancelled due to Cyclone Alfred)

Learning outcomes: L01, L02, L03

Week 4

(17 Mar - 23 Mar)

Seminar

Week 4

Self-publishing online in 2025: social media, platforms, newsletters

Learning outcomes: L01, L02, L03

Week 5

(24 Mar - 30 Mar)

Not Timetabled

Self-directed learning

Start work on Assessment #2, Think piece

Learning outcomes: L02

Week 6

(31 Mar - 06 Apr)

Seminar

Week 6

An even briefer history of freelancing for print: op-eds, think pieces, columns

Learning outcomes: L01, L02, L03

Week 7

(07 Apr - 13 Apr)

Seminar

Week 7

Freelancing for print in 2024: first-person journalism, experience pieces

Learning outcomes: L01, L02, L03

Week 8

(14 Apr - 20 Apr)

Seminar

Week 8

Feature articles: literary journalism, real-world research

Learning outcomes: L01, L02, L03

Mid-sem break

(21 Apr - 27 Apr)

Not Timetabled

Mid-semester break

Brainstorm your Assessment #3, Feature Article OR Podcast Episode

Learning outcomes: L02

Week 9

(28 Apr - 04 May)

Seminar

Week 9

Throwing your voice around: podcasts

Learning outcomes: L01, L02, L03

Week 10

(05 May - 11 May)

Seminar

Week 10

Advanced feature writing: structure, style, subtlety

Learning outcomes: L01, L02, L03

Week 11

(12 May - 18 May)

Seminar

Week 11

Advanced podcasting: format, production values

Learning outcomes: L01, L02, L03

Week 12

(19 May - 25 May)

Seminar

Week 12

Editing Everywhere All At Once

Learning outcomes: L02

Week 13

(26 May - 01 Jun)

Seminar

Week 13

Whole-class editing blitz

Learning outcomes: L01, L02

Policies and procedures

University policies and procedures apply to all aspects of student life. As a UQ student, you must comply with University-wide and program-specific requirements, including the:

Learn more about UQ policies on my.UQ and the Policy and Procedure Library.

Course guidelines

Communication Expectations 

While you are a student at UQ, all communication must be conducted according to the UQ Student Code of Conduct. The UQ Library has a helpful Communicate and collaborate online module.  

  • Email is the primary way for you to send messages to, and receive information from, the School and our staff.  
  • You must use your UQ email address (not a private address) to communicate with staff.   
  • You should add a clear subject line, including course code, and a 2-3 word statement.  
  • You can send email at any time, however please do not expect responses outside normal working hours (Monday to Friday from ~8am to ~5pm).  
  • Emails that constitute bullying, harassment or discrimination against staff contravene the Student Code of Conduct. Emails like this will be reported to the University, and the matter will be pursued as misconduct.